Post unitary

Ongoing MAZI research into DIY networks and complimentary solutions has turned up many great options. Our current favorite is Sandstorm.io a a collaboration suite of open source software which continues to develop and swell with features.

Three new servers in centres of activity, have been introduced where the rising need for safe, secure and stable alternatives to corporate cloud is called for by subscribers and collaborators.

Mazi is well on track to present combinations of network and collective development tools in 2018, a pick and mix of hardware, software and scenario conditioning, though we are not there yet! Adoption of ultra low power ARM based pc’s like Raspberry Pi for a multitude of tasks is on a rocket. On the flipside, a mountain of small format, legacy laptop and powerful low cost / free desktop i386 hardware is in great abundance, a glut even, these are perfect hosts for Sandstorm.

As we concluded the third Creeknet meet-up at Stephen Lawrence Centre this week, it was great to welcome this group of residents from the boating community of Deptford Creek.

The large converted coal barge, Luna, moors alongside a nest of boats in the mud at No2 Creekside and this is where will next meet-up again in March. It’s home to ten young people who share the residence and have expressed enthusiasm to shape their own futures here by improving communications between boat owners and public awareness of river living. Concerns over continuity of mooring for the many boats here is uppermost in everyones mind as development plans emerge that throw assumption about tenure into questions.

When we last spoke to Julian Kingston, he mentioned how difficulties in communications between the new LLP owning the yard, the DLR and boat owners was provoking anxiety. Land access here for moored boats depends on continued good will and understanding from all parties. Shoreside utilities, access to clean water and sanitation, power and telecoms are vital.

SPC are working with OU and Creeknet friends to establish a network of interactive installations along the tidal creek, that forms a DIY networking trail from Brookmill Park to the Swing Bridge. Using a combination of low power computing and mesh wireless technology, this initiative aims to support existing neighbourhood activity and inform Mazi toolkit development. Follow it along the length of the tidal creek from beacon to beacon, each point presenting locally sourced and augmented information.

Each Mazizone consists of a reconfigured Rasbian operating on a Raspberry Pi that hosts, webserver and database tools that are arranged and refined to suit local conditions. They are connected to existing broadband internet or as standalone ‘offline’ systems. Each offers ‘Creeknet’ wireless access, which responds to your web request by presenting a captive ‘portal’ page loaded with guides for use, selected collaboration tools,  and a view on each neighborhood.

The current MAZI toolkit release is V1.6 with the project sources bug tracking and development notes at Github. We invite all those interested to get in touch, download and install the development images and contribute feedback and follow our progress. The details of how best to configure and deploy a mazizone are being accumulated as we experiment.

Project partners at Univesity of Thessaly in Greece have the job of building and managing the development of the toolkit software, adding and adapting to the evolving requirements. You can preview the default Mazi toolkit, but for better insight into how progress is being made in London please visit one of the Creeknet Mazizones and try out the options. We now also have berryboot versions of the toolkit hosted by Alex Goldcheidt alongide the hundreds of alternative OS for the Raspberry Pi at Berryserver.

Since loosing the boat in a fire in January, Minesweeper Collective are operating in Deckspace and at DIY Space for London. Their Undercurrents gallery at Birdsnest was first to be installed to support the group art exhibitions updated each month.

We have been meeting Creeknet friends regularly at Hoy kitchen on Creek Road where a Mazizone was installed in March. We will return there this coming Monday at noon for a research session with those specifically interested in clean-up of the Hoy Steps.

Artist Karen Barnes mazizone is Eileen Ford named after her pinhole camera truck parked in the yard at N02 Creekside. It has a built in camera and other sensory extensions, fitted inside her human sized portable ‘box camera’ to record and publish pinhole images on the move. It operates in ‘offline’ mode and presents a guestbook, image galleries, and reports on changing conditions.

When we return to Brookmill Park in May the fourth Creeknet Mazizone will be installed at the Park keepers hut by the pond. It will help friends of Brookmill Park co-ordinate public events, present wildlife images and environmental conditions.

Our UK partners at Open University have set up a mazizone installation of their own to demonstrate to their colleagues and experiment with new features whilst in their work space in Milton Keynes.

Layered stakes

The very recent death of friend and collaborator Armin Medosch has us all shocked. A stomach cancer diagnosis in December 2016 was all too late to avert such rapid and devastating effects.

We last met at a memorable post Hybrid Cities dinner in Athens, September 2015,  where he had talked on ‘Cities of the Sun’ and recalled early wireless network adventures in Hackney, celebrating the network commons process so many of us continue to work on. Perhaps there is a recording of the keynote he presented there..? I just found this interesting talk on the rise of Network Commons, one more of so many on a wide range of subjects!

Tributes from friends and colleagues around Europe are stacking up in Nettime.org each pinpointing personal reflections on his great character, warmth and passion for the social in digital, a critical eye on culture, network politics, his commitment and courage. Obituaries in Rizhome, Wired and Telepolis now also detailing a life’s work and lasting impact. Now also a book! wow so perhaps this account will continue to be amended for a while!

Memories flying thick and fast, thinking back over many years of his intensity and enthusiasm. We first met in autumn of 1995 when he arrived at Obsolete offices in Clink Street, fresh from a bruising experience aboard ms.Stubnitz. His passion then, fixed on non-linear video archives, but we were already too distracted by WWW to take it on. It wasn’t long before he was in regular contact, at Backspace, activating Cybersalon, co-ordinating Artservers Unlimited , always making Waves!

His constructive involvement in so many activities, with such critical sensibility, influenced and inspired us all. During so much of this period we were all effected by the ‘rush’, spinning ahead of the times. We ranted about DIY networking ideas that fused as Consume, morphed with Berlon into a mesh awakening that grew internationally.

Armin wrote for Mute, Telepolis, Acoustic Space and formulated the MA in Digital Theory at Ravensbourne College. He launched into work on The Next layer blog whilst compiling of his New Tendencies Phd at Goldsmiths and delivered talks at many public events across Europe. With the publishing of most recent book New Tendencies, he was again traveling to promote ideas and expand minds with flair and passion. Now as ever he has rushed on to cross the gap ahead of us all, to who knows where!

See you on the other side mate. Thanks for everything.

Hoy Meet-ups

This coming Monday 23rd January we will again meet up with Creeknet friends to continue some great conversations and push on with DIY network research. Our host for the last few Mazi Mondays has been the Hoy Kitchen on Creek Road at the Deptford and Greenwich border by Creek Bridge. We have been starting with teas/lunch at noon and drifting on in discussion till 4pm.

Claire is the proprietor of Hoy and grew up in the Hoy Inn as it was previously known. Her family moved into the area from Belfast in the 70’s at a time when SE8 was comparatively naked, few street lights, road signs and empty buildings in a very industrial maritime landscape. The pub was a notorious social hub and she has many stories about these earlier times to tell!  Her great familiarity with local history, society and current wave of transformation is proving most entertaining and illuminating.

When Quayside redevelopment took off in the streets all around them  during the 90’s her family faced fresh and unexpected challenges. Land which had always been linked to the Hoy was assumed part of the property development package. It triggered a fight to hold on to access and the infamous Hoy Steps. Successful but lengthy resistance has meant that the steps have been retained but a road wraps around the building to the new build properties adjacent.

Perhaps as a consequence, Claire has good contacts with local business including Millenium Quay who have responsibility for the recently installed swing bridge. She has also suggested making historical steps accessible for the first time since the dispute!

The illustrious privateer Sir Francis Drake may well have been knighted by Queen Elisabeth by the Hoy Steps, his ship ‘The Golden Hind’ certainly ended it’s days in the creek, scrapped to shore up the sea wall of the creek. Today the replica boat is a popular tourist destination in Clink Street by London Bridge very close to our very own Backspace which prevailed till turn of the last century!

Please join us in February when we will meet-up at Stephen Lawrence Centre for a further three weeks of more practical workshops At these events we will work with low-cost technologies to host and promote a range of DIY neighbourhood publishing tools, discover more about the options for OWN mesh access meet its resident groups and friends from that area of the river by Brookmill Park.

Cast in this light and with rising sense of expectation from those around us,  we set out on the second phase of neighbourhood engagement and activity around our Mazi pilot – Creeknet. It explores use of DIY networking methods and promotion of ‘offline‘ information systems, that express awareness, sustainability and determination for greater data autonomy.

To date, we have met with a wide range of local people living and working alongside Deptford Creek, each with a view on local issues and an intensity to shape outcomes in whatever form of public campaign or personal agenda they may fix on. Help us identify the tools for success in such situations and to foster the development of home grown options to introduce into the MAZI toolkit.

We begin a series of weekly meetings and workshops at venues up and down the creek this month, to channel some energies into discovery, discussion and expression on subjects closest to heart. The quality of lived environment tops that chart, as any local resident, worker or student will assert. Unbridled property speculation, deteriorating air quality and wealth disparity, contribute to the sense of dis-empowerment, isolation and anxiety for the future.

Much we have learned, as the storm of chaos around us builds, reminds us that we can never again take personal freedoms and privacy for granted. As of 30th December, the Investigatory Powers Act permits targeted interception of communications, bulk collection and interception of communications data by UK government and intelligence agencies.

Educating and informing ourselves on conditions of change are now critical steps for us to take for future health of communities, cultures and capital. Our faith in each other, open collaboration and social justice are at stake. Your insight, inventiveness and expertise are key to unlocking neighbourhood value and identifying solutions to act on locally.

During February, we are hosting Creeknet meet-ups at Stephen Lawrence Centre where friends of Brookmill Park and Deptford Creek will gather to share stories and publish reports.

As part of the MAZI pilot we are all working together to install interactive beacons along the creek where significant points of interest and DIY network activity coincide.

We have booked three weekly meetings in this riverside lecture room, starting Monday 13th Feb so please join us there between 12 and 4pm. Please register so we know how may to expect at lunch!

Our emphasis is to support the many local groups along the creek as they promote their respective activities and publish to their networks. In preparation, we have been resetting some of their legacy, corrupted and entangled WordPress installations, so a clean start is possible!

Friends of Brookmill Park are now ready to bring their designs into effect to feature the nature and diversity of the park, planting plan and to begin animal species monitoring.

Terry Edwards is a local musician and model gardener who leads the Crossfields Estate community garden project Wonky Prong and has begun posting and planting again in time for spring. He may well join Karen Barnes on Wednesday’s open mic event at the Birdsnest.

She has been very busy scanning some of the many pinhole camera prints she has made in situ around Deptford as well as on occasional trips to Westminster. They feature at thearmed909 alongside accounts of living and working in the area.  The Undercurrents gallery in the back room of the Birdsnest has been showing Minesweeper art and photographs of the boat that survived the devastating fire in January. Karen recently added a Piratebox to collect up some memorabilia and share donated audio recordings and artwork. Next time you pop in for a pint, try logging on to check the collection.

Friends of Deptford Creek, started by those living on house boats in the creek also have a refreshed website to voice their current concerns not least in light of redevelopment plans effecting their mooring and land access at 2 Creekside. John Cierach is also the owner of 3 Creekside where we recently reviewed the plans for development to feature stacked shipping containers and reworked mooring strategy that won’t include all the current boats!

A Kumu map of working relationships between interested parties along Deptford Creek is emerging form the mud of our interaction. Further interventions and activity will continue to extend these impressions, your comments and contributions are most welcome.

What are the shitboats you may well ask

after.video at the indefinite vision symposium @ whitechappel art gallery

after.video will be presented during the indefinite vision
symposium @ whitechappel art gallery, see:
http://www.whitechapelgallery.org/events/indefinite-visions/ (before the
symposium during a workshop on methodologies – see schedule below ->
after.video is in the 4-5.30pm slot)

WORKSHOP: THE AUDIOVISUAL ESSAY WHITECHAPEL GALLERY, LONDON

WEDNESDAY 22nd JUNE

11.30am-1pm. Forms
Themes:
Audiovisual essay forms (close analysis, artistic/poetic montage,
supercut/thematic montage, ‘interstitial’).
Techniques: temporal manipulation, overlays, split-screen, voice-over
Audiovisual essays as supplements to written scholarship and as core
methodology.
Questions:
What types of scholarship are audiovisual essays suited (and not suited) to?
What more could audiovisual essay achieve critically and aesthetically?
11.30-11.45. Presentation: Kevin B. Lee on the current state of the art
11.45-12. Presentation: TBC
12-12.30. Break-out discussions
12.30-1. Group discussion

1pm-2pm. Lunch

2pm-3.30pm. Contexts
Themes:
Role within film journalism, as a critical tool
Role within teaching, as a heuristic tool
Relationship with film-making (‘theory’ vs ‘practice’)
Relationship with artists’ film and video
Questions
How to further incorporate audiovisual essays into mainstream scholarship
via academic legitimation (e.g. increasing publishing opportunities)?
via refinement of the form and its methodologies?
via databasing?
How does the audiovisual essay fit within current copyright law in the
UK and beyond?
Do different distribution models (e.g. peer-reviewed, ‘self-published’,
programmed by cultural gatekeepers) suit different kinds of audiovisual
work?
2.30-2.45. Presentation: Catherine Grant on videographic film studies
and academic publishing
2.45-3. Presentation: David Rodowick on negotiating film theory and film
practice
3-3.30. Break-out discussions
3.30-4. Group discussion

3.30pm-4.00pm. Break

4.00pm-5.30pm. Methodologies
Themes
Terminology (video essay, audiovisual essay, videographic film studies,
digital film studies)
Alternative technologies and methodologies:
Quantitative:
data analysis (e.g. cinemetrics, ECGs and eye tracking)
visualisation – e.g. Volumetric Cinema, Software Studies Initiative
Qualitative:
Annotation (e.g. Popcorn.js, ANVIL, Lignes de Temps)
Creative:
Critical media art (e.g. after.video)
Interactive documentary
Questions
How can audiovisual essay production be connected to adjacent, less
prevalent, digital humanities activities?
What can be learnt from the use of digital technologies in other
humanities disciplines?
What models of collaboration could help audiovisual film scholarship
develop in scope, complexity, and impact?
4.30-4.45. Presentation: David Verdeure on adjacent methodologies
4.45-5. Presentation: Richard Misek on adjacent technologies
5-5.30. Break-out discussions (open)
5.30-6. Group discussion

Viewable during breaks:
Don’t Look Now: paradoxes of suture (interactive video on Mac laptop)
After.Video Assemblages (videos on Raspberry Pi)
Notes on Blindness: Into Darkness (VR experience, at Close Up Film Centre)

 

reTransmission

YT has recently rekindled contact with Indymedia activist network members as part of an initiative to build a new hosting platform, an Activist Media Proxy – AMP.

Little in the way of social documentary, street protest and public information material exists outside of the youtube/googleplex. Of the many attempts to change assumptions, Engagemedia and Undercurrents have lead the way.

Our hope is that in collaboration with activist media makers and producers, further good use can be made of this vibrant social history, to review past action and inform on current struggles.

The first move of the founding group has been to appoint a coordinator and gather together an information base, to establish communication and suitable support framework. With this foundation in place is has been possible to activate new services to begin working with the existing video collections, present tools for annotation and prepare selections for review.

Please visit the AMP project wiki for more information.

The video, audio and text archives will be stored in a web accessible database. Pan.do/ra offers the combination of media processing, context annotation and collaboration management tools needed. Several other media collections are being drawn together in London using this same great system.

Community archives are reactivated at Maydayrooms events where documents are scanned and media resources organised. Their collection features a selection of period film and event documentary, available over their local area network, alongside an extensive document catalogue for researchers to explore.

A complete set of the DAU film sequences, it’s huge image collection of period artifacts and extensive wardrobe as worn during filming and by residents of Kharkiv, features in their intranet media project. The DAU feature film is itself now due for release in 2017 the centenary of the Russian revolution.

Besides the Screen conference

The 2016 conference in Coventry marks the end of a cycle of activities sponsored by the British
Arts & Humanities Research Council , meaning to articulate an international research network
devoted to the many territories of dispute in the contemporary arrangement of audiovisual
media, such as piracy, curating, and projection practices.

The conference series Besides the Screen began in London in 2010 at Goldsmiths College,
University of London. The event meant to gather research projects focused on an apparently
secondary subject in the field of screen studies: the instances of film distribution and
consumption. By that time, it already seemed important to promote debates around these topics,
considering that some of the most meaningful effects caused by computer networks on
audiovisual media are connected not to image production, but rather to the emergence of new
dynamics of circulation – from peer­ to ­peer filesharing to mobile screens, from VJing to
video­ on­ demand.

Wednesday 20th July 2016
Ellen Terry Building, Coventry University

14:30 ­ Coffee and Registration (Foyer, Ellen Terry Building)
15:00 ­ Conference Welcome (ET101)
15:15 ­ 16:45: Panel 1 (ET101)
17:00 ­ 18:30: KEYNOTE ­ Charlotte Brunsdon & The Projection Project (ET101)

­­­­­18:30 ­ 19.30: Break­­­­­

19:30 ­ Exhibition opening and music from Accelra @ The Box, FarGo Village

Thursday 21st July 2016
Ellen Terry Building, Coventry University

10:00 ­ 11:30: Panel 2 (ET101)
11:30 ­ 12:00: COFFEE
12:00 ­ 13:30: Panel 3 (ET101)
13:30 ­ 14:30: LUNCH
14:30 ­ 16:00: Panel 4 (ET101)
16:30 ­ 17:30: Performance (Ricardo Carioba) (ETG34)

­­­­­17:30 ­ 18.00: Break­­­­­

18:00 ­ Leafcutter John (Performance & Q&A) @ The Box, FarGo Village

Fri 22 (Ellen Terry Building)
Ellen Terry Building, Coventry University

10:00 ­ 11:30: Panel 5 (ET101)
11:30 ­ 12:00: COFFEE (Foyer)
12:00 ­ 13:30: PANEL 6
13:30 ­ 14:30: LUNCH (Foyer)
14:30 ­ 16:00: KEYNOTE ­ Nelson Brissac (ET101)
18:00 ­ Performance (mirella & muep) (ETG34)
20:00 ­ Close

Keynotes

Projection, the Moving Image and the Transition to Digital
Charlotte Brunsdon, Michael Pigott and Richard Wallace
This plenary session will be presented by Charlotte Brunsdon, Michael Pigott and Richard
Wallace who are working together on the AHRC­funded Projection Project (2014­18). This
multi­method project takes projection as its starting point in an exploration of cinema’s transition
to digital. In this presentation we will outline some of the premises of the project, and present
findings which range from interviews with former projectionists to sounds from the projection
box. Our project includes archival and oral history research into the neglected history of the
cinema projectionist through which we challenge the primacy of the image in theorisations of
cinematic specificity, revealing in contrast the role of hidden labours of cinema exhibition. While
we are attentive to the human cost of the transition to digital in terms of redundancies and
redeployments, we are also concerned with the new possibilities of the emergent uses of digital
projection outside of the cinema space. Here we attend to practices – such as projection
mapping ­ enabled by the portability and flexibility of digital projectors, and situate them within a
long history of projection. By investigating the role of outdoor projection as a means of both
advertising and protest, as well as the figure of the nightclub VJ, the project seeks to identify
continuities and differences that pertain within the extra­cinematic everyday uses of moving
image projection. As a multi­part presentation we will seek to give a sense of both what is
hidden and lost in the projection box, and what is imagined outside it in a wide range of venues
and practices.
Professor Charlotte Brunsdon has been Principal Investigator of the Projection Project. Her
most recent research had been concerned with the spaces of film and television and she has
just completed a book on T
elevision Cities t o be published by Duke University Press in 2017.
Dr Michael Pigott is co­investigator on The Projection Project and author of J oseph Cornell
versus Cinema (2013). He teaches visual cultures and audio­visual performance at the
University of Warwick. He also works as an artist and has been known to do some VJing.
Dr Richard Wallace is Research Fellow on the Projection Project. He has research interests in
British film and television history and technology, historical research methods and screen
documentary and has published in the J ournal of British Cinema and Television.
All work at the University of Warwick, mostly in the Department of Film and Television Studies.
projection.project@warwick.ac.uk

Triangulated

The brexit debacle has so far proved to be a substantial distraction from much else going on this week. However, work toward the first of many MAZI reports to satisfy conditions for EU support, has been completed on time. Our academic partners at the Open University now have an additional part time researcher (Gareth) in post to help prepare the ground work for the next phase of neighborhood engagement which SPC are for preparing now. Here is Mark pointing out the Minesweeper floatilla on the creek.

We haven’t had many visitors to the recent Brookmill Park, Monday meetups, though great progress has been made with those attending to clean and prepare the space for Redstart Arts who take up residence later this summer. Their current exhibition at the Deptford Lounge is result of 8 months work with learning disability artists and called ‘weatherSCAPE’. It has been installed in the 4 story atrium space there, very impressive!

Much of the Brookmill conversation so far, has been concerned with how to improve on use of the park and encourage a wider appreciation and support for the events and activities organised by the ‘friends’ group. Last weekend YT joined the Picnic and met with near neighbors as well as some more familiar faces. There was great interest in the MAZI activation initiative using the park keepers building and many questions on what and how might be possible. We sat in dappled light beneath a giant London plain tree with it’s bat and bird boxes, adjacent to the large pond with resident heron and frolicking water birds, to share stories, savories and cakes!

Later this month we will meet again with MAZI partners Common Ground in Berlin to review progress of the new Prinzessinnengarten building in progress  and enjoy the bloom of midsummer. Terry Edwards has been in a battle with slugs at the small gardens in Crossfields Estate he tends and will join us on the trip this time.

Here in Deptford there is no shortage of building work underway as seen here in this site view adjacent to CET. Directly opposite, preparations for the Tideway tunnel excavation are also advancing quickly. Intensive building work in progress on both sides of the creek reach are reaching crisis point as project increasingly coincide and collide. Any plans for environment monitoring, neighborhood awareness and useful responses may be foiled if we don’t make some rapid progress before long.

Vexed, hashed and ported

Battlemesh 09 was the latest in a series of intensive exchanges organised and attended by the prime of mesh firmware developers, hardware hackers and community activists – An international movement of open wireless network innovation with it’s root in the earliest moments of net culture.

More than 80 contributors from Korea, Colombia, India, Argentina and across Europe gathered at the Faculty of Engineering in the University of Porto (Portugal) for a week in the deep code of OLSR, Babel, B.A.T.M.A.N, BMX and Batman-ADV, each contenders for eternal glory!

All use the OpenWRT operating system first issued at the outbreak of contemporary mesh networking in 2004, when discovery of GPL code in the very affordable Linksys WRT54G router triggered release of it’s proprietary sources for open re-engineering.

Each afternoon lightning talks and presentations were held in a space between the busy workgroups. We listened to memorable accounts from international groups and community actions, a film première of Sarantaporo documentary (Greece) and reviewed GNUnet and netJason projects two of many others listed in the packed event schedule. Our hosts even arranged us a cruise on the Douru River with spectacular views, bridges and fresh air!

Work progressed on setup of the Battlemesh ‘Wibed’ testbed, itself an ambitious and complex set of configurations, to allow for easy switching between competing firmware to enable monitoring of the 30 or so wireless routers now dotted about the university. Inevitable bugs obstructed completion but we start to see results at the eleventh hour, hoorah!

Key members of the OpenWRT developers group gathered to announce it’s community reboot as new project LEDE which resolves to shake off legacy constrictions in the operational structure of the old system. There was widespread delight mixed with a sense of some trepidation this news should schism the project. Overall it seems, this is an overdue shift toward a more flexible approach to future development of firmware for embedded devices, so good luck with that!

Overshadowing the event for all this year is the news that FCC have followed steps taken at EU to legislate a lockdown of firmware on equipment (RED) featuring 5ghz wireless devices, so that critical weather and aviation radar systems cannot be compromised by non standard radio uses. New hardware will not permit firmware modification and improvements by community in the future will no longer be possible! It’s hard to follow the exact conditions that have lead to this unfortunate situation, certainly manufactures have taken flight and entirely re factored their products to adhere to the rules as they understand them, in fear of heavy fines should they fail.

Suspicions were voiced, that telecom interests have influenced authorities to revise controls allowing them capture pubic access spectrum for more exclusive commercial uses. Here is the joint statement from the wireless network community, more needs to be done to highlight the situation.

after.video @ LibreGraphics

Adnan presented the after.video project at the LibreGraphics conference.

after.video is a new online service which will be making available a series of variably aged video presentations which cover a collection of topics. What it represents then is a repackaging (Assemblages) of material from a variety of sources, presumably professionally edited and augmented. If you visit their website, you see they are not quite operational, and that this is a paid subscription service.

Now in its 11th year, the international Libre Graphics Meeting turns its focus for 2016 to the theme “Other Dimensions”, encompassing time-based media and the third dimension, new additions to LGM’s established focus on graphics.

From its first edition in 2006, held in Lyon, France, Libre Graphics Meeting has been a locus for software contributors, artists, designers, and users to come together and share their knowledge and to experience camaraderie. This year will see four days of presentations, talks, hacking sessions, workshops, and meetings.

Prominent software projects such as GIMP, Inkscape, Scribus, GNOME, and others will come together to demonstrate the progress on their projects and to discuss them within the context of the larger Libre Graphics community. LGM 2016 will play host to animators, architects, artists, book designers, cartographers, developers, documenters, educators, engravers, graphic designers, git visualizers, hackers, photographers, rasterizers, reverse engineers, tool makers, type designers, and video archivers (among others!).

The 2016 edition of LGM will have a full program of workshops, presentations and talks across the entire spectrum of Free/Libre and Open Source graphics projects and communities. The full program can be found online http://libregraphicsmeeting.org/2016/wp/wp-content/uploads/2016/03/LGM2016program.pdf

With a great after party: Autonomous Tech Fetish & also check out Lara’s project dataunion.

The next LibreGraphics meeting will be in Rio De Jaineiro.

Cyberparty: popular politics in digital times

In recent years – and in particular since the explosion of the financial crisis of 2008 – we have witnessed the rise of an array of new political parties – sometimes described as ‘digital parties’, ‘internet parties’ or ‘network parties’ – that attempt to utilise digital communication technologies as means to construct new forms of political participation and organisation against a background of widespread political disaffection with mainstream politics.

From the 5 Star Movement in Italy, to Podemos in Spain, and the Pirate Party in Iceland, Sweden and Germany, to the municipalist formations that recently won the mayoralties of Barcelona and Madrid, the signs of this surprising revival of the political party in digital times are growing. These new political organisations that are entering the political arena in a number of countries in Europe and beyond make use of the tools and practices that typify the present digital era, from Twitter channels and Facebook pages to Whatsapp groups and decision-making platforms. Furthermore, they embody the new demands that reflect the ways of life, fears and desires of an era of mass digital connectivity: demands for free information, privacy, connectivity and basic income.

What is the meaning and what the implications of these emerging digital parties? How do they reflect and respond to the current phase of economic and political crisis? What are the new issues and policies they bring to the fore? What are their forms of organisation, participation and leadership?

The Cyberparty conference hosted by the newly formed Centre for Digital Culture at King’s College London will explore these issues by bringing together experts and activists from the forefront of political innovation. It will ask what is specific to the emerging ‘digital party-form’ underpinning these formaions, how it compares with the mass parties of the industrial era and the electoral-professional parties of the neoliberal era and to what extent it can become a vehicle for social and political change. Furthermore, it will inquire in which ways more traditional political phenomena such as the Labour party under the leadership of Jeremy Corbyn and Bernie Sanders’ campaign in the US are trying to adopt some of the emerging organisational structures and practices coming from digital parties.

Different aspects of digital parties will be examined: their forms of communication and propaganda; their decision-making platforms; their policy platform and social base, with dedicated panels on these issues.

The conference will also host a special panel on digital activism in Eastern Europe.