BeeBuzz.farm design ecologies

BeeBuzz.farm

The BeeBuzz.Farm, launching this year, is an exciting project focused on organic bee farming and ecological sustainability. Situated in Gozo, Malta, this family-owned business emphasizes the production of natural honey, with bees freely roaming and feeding on nectar. Not just a farm, BeeBuzz.Farm is an educational hub, offering insights into organic farming, beekeeping, and the crucial role of bees in our ecosystem.
The project, serving as an Erasmus+ Green Educational Media case study, aims for organic certification. Its mission extends beyond honey production to educating the public about the significance of bees in agriculture and biodiversity. Bees are vital for pollinating a vast array of crops, contributing immensely to global food security and ecological balance. The BeeBuzz.Farm initiative is more than just a business; it’s a commitment to protecting bee populations, ensuring environmental health, and fostering a sustainable future.

FiO Radio Conference

Radio Conference on Stegi.radio

How do we abandon the current standard models of AI and tech services and advocate for inclusive technologies?

From December 13 to December 15, the arts organisation VEKTOR Athens presents the International Radio Conference “Figure it Out: The Art of Living through System Failures”, curated by Katerina Gkoutziouli. For three consecutive days, from 14.00 to 18.00 EET, artists, curators, activists, academics, researchers and technologists discuss their counter strategies and practices in the technological realm. Through three key areas, namely: Figure it Out: Art & Tech, Figure it Out: Environment & Tech and Figure it Out: Community & Tech, the radio conference reflects a growing realization that the current tech landscape is rife with disparities and shortcomings that need to be addressed.

Participants:

!Mediengruppe Bitnik, Tatiana Bazzichelli, James Bridle, Heath Bunting, Yuchen Chen, Kris De Decker, Daphne Dragona, Mara Ferreri, Anna Watkins Fisher, Kyriaki Goni, Valeria Graziano, Marinos Koutsomichalis, Alex Lu, Jonas Lund, Niels Plotard, RYBN, La Labomedia 

The Conference is coordinated by Katerina Gkoutziouli, Co-founder – Director, VEKTOR Athens, and Yannis-Orestis Papadimitriou, Journalist.

The Radio Conference will be streamed via stegi.radio, the online radio station of Onassis Stegi and it will be relayed to the experimental platform Π-node.

All recordings (conversations & lectures) will be archived in the form of podcasts, after the end of the Conference. The podcasts will be available via stegi.radio, VEKTOR Athens website, Spotify and Mixcloud.

* The language of the conference is English.

** Relay to p-node.org

Wednesday, 13 December 2023 | 14.00 – 18.00 EET

The Figure it Out: Art&Tech session looks into the work of artists and curators who explore the intersection of artistic expression and technology. This session focuses on inspirational practices that are driving the development of our understanding of both art and tech. Through their work, they address societal issues, offering unique perspectives on subjects such as artificial intelligence, privacy in the digital age, deep fakes, and the human-machine connection in an extremely digitalized society.

With

  • !Mediengruppe Bitnik, Artists (DE) 
  • Kyriaki Goni, Artist (GR) 
  • Niels Plotard, Artist (Malta)
  • Anna Watkins Fisher, Writer, Scholar, Associate Professor of American Culture, University of Michigan (U.S.A.) 
  • Jonas Lund, Artist (SE)

Thursday, 14 December 2023 | 14.00 – 18.00 EET

The Figure it Out: Environment&Tech session investigates the current status of the earth and its inhabitants in relation to the devastating exploitation of natural resources in the name of technological advancement. Having in mind the disproportional relation between the increase of computational power and environmental degradation, this session serves as a platform to highlight the urgency of environmental accountability in relation to the increase of technological endeavors by states and private companies worldwide. Thinking about the long-term health of our planet, the focus will be on how to steer technology in a direction that supports rather than compromises the very ecosystems upon which all forms of life depend.

With

  • Heath Bunting, Artist (UK) 
  • James Bridle, Artist, writer (UK/GR) 
  • **James’s talk will be accessible exclusively through the conference archive.
  • Daphne Dragona, Curator, writer (GR/DE) 
  • Kris De Decker, Founder, Low-tech Magazine (ES/NL) 

Friday, 15 December 2023 | 14.00 – 18.00 EET

The Figure it Out: Community&Tech session delves into the status of unserved-by-technology communities working and living in precarious conditions worldwide. Looking into the inventiveness and resilience of communities, this session touches upon the algorithmic inequalities of certain groups and their exclusion from tech structures, exploring issues such as the ethics in the technological sector, care, digital autonomy, whistleblowing, and data security. Given the potential of technology to deepen divisions and injustices, this session encourages us to look into the deeper-rooted problems, such as uneven power dynamics, cultural biases, and historical injustices that shape today’s technology landscape. 

With

  • Mara Ferreri, Assistant Professor of Geography, Polytechnic University of Turin (IT)
  • Valeria Graziano, Visiting Lecturer, Institute for Applied Theatre Studies, Justus Liebig University Giessen (IT/DE)
  • Tatiana Bazzichelli, Artistic Director, Founder, Disruption Network Lab (DE) 
  • Yuchen Chen and Alex Lu, Sociotechnical Scholars (U.S.A./CN) 
  • Dr. Marinos Koutsomichalis, Artist, Assistant Professor, Director, Media Arts and Design Research Lab, Cyprus University of Technology (CY/GR) 
  • RYBN & Labomedia (FR)

Credits

Conference Curator: Katerina Gkoutziouli

Visual Identity: Oleg Suran

Communication: Maria Paktiti

Recording and post-production: Stefanos Konstantinidis – Fabrika Music Studio

Organised and produced by: VEKTOR Athens

The Conference is realized in the framework of the project FIO: the Art of Living through System Failures, which is financed under the Creative Europe Program (CREA-CULT-2022-COOP-1).

Decentralized Remote Chaos Experience

Closing Ceremony

Cyberpunk 2022 Trust in digital communication
How We Founded a Citizen Television Station
Unser Weg zum portablen DNA-Synthesizer
US government demands direct police access to European biometric data
Kunst im Umbau
K – Kulturarbeit
Solidarisch essen, ackern, imkern und wohnen
Raum für die schöne Welt
Das Fediverse steht für Vielfalt nicht für Einfalt
Das Mietshäuser Syndikat und das Neubauprojekt Görzer128
Kunst und Kommerz, ein problematisches Verhältnis
Geschlechtergerechtigkeit und Making
Git: Let’s f*ck up history, and then restore it
«Thank you for your data» oder weshalb uns das Thema Data Analytics interessieren sollte
Real citizens of Rheinfelden living in an AI painted model of Jakob Strassers hometown
Metaverse und NFT

Global Dance Collaboration in the Metaverse

This showcase performance is a vibrant and diverse showcase of experimental work with motion capture in practices of remote choreographic collaboration, sharing the outputs of a six-month digital dance research residency. Six teams of both dancers and creative technologists – from India, Thailand, Malta, Brazil, the US and the UK, will present unique breakthrough work in their own dance style and aesthetic.The Arts and Humanities Research Council-funded Goldsmiths Mocap Streamer project ‘Building an international network for virtual dance collaboration’ has developed work with six teams in a six-month artist residency(Opens in new window). This project showcase event will be a combination of live dance, immersive screen-based performance, and playful interactive installation. It is present in a hybrid in-person and live-streamed mode with remote dancers performing together within a virtual and interactive environment. The six project outputs will be presented within an afternoon programme of presentations and conversations – come for some, or all of these exciting team presentations.

Global Dance Collaboration in the Metaverse

Off-network low-impact living on the cut

The VR360 film titled Off-network low-impact living on the cut, published on boattr.uk, for the launch of the after progress exhibition, tells the story of the researchers’ journey on the narrow-boat Quintessence (boattr.uk) on the British Waterways, looking into off-network, local network use of technologies, as a low-impact living on the cut. The ‘boattr – living on the cut’ immersive film depicts the cut and canals of the British Waterways as a digital urban commons, through the artists’ journey on the narrow boat ‘Quintessence’ and the development of the ‘boattr’ prototype in collaboration with MAZI (for “together” in Greek), a Horizon2020 research project. Having operated the boattr.uk, mazizone and 7061 art project over three years, this story, in form of a VR360 film, documents the development of this research.With the evolution the moving image inserted itself into broader, everyday use, but also extended its patterns of effect and its aesthetical language. Video has become pervasive, importing the principles of “tele-” and “cine-” into the human and social realm, thereby also propelling “image culture” to new heights and intensities. The boattr VR360 film makes use of video as theory, reflecting the structural and qualitative re-evaluation it aims at discussing design and organisational level. In accordance with the qualitatively new situation video is set in, the VR360 film presents a multi-dimensional matrix which constitutes the virtual logical grid of the boattr project.

After Progress

A companion to the After Progress (2022) monograph, published by The Sociological Review, the After Progress Digital Exhibition is the result of a multiplicity of collective efforts to weave together collaborative and multimedia forms of storytelling that might help us envisage ways of living and dying well outside of the modern coordinates of progress, drawing inspiration from the “After Progress” symposium series held in 2019.The notion of “progress” is arguably the defining idea of modernity: a civilisational imagery of a boundless, linear, and upwards trajectory towards a future that, guided by reason and technology, will be “better” than the present. It was this notion that placed techno-science at the heart of modern political culture, and it was the global unevenness of “progress” that imagined European imperialism as a civilising mission inflicted upon “backward” others for their own sake. The colonial, rationalistic, and ecocidal consequences of the story of “progress” have been laid bare, yet progress remains a ruling idea capable of governing our imaginations today. At the same time, the ruins of progress are teeming with divergent worlds and collective experiments whose stories upend modern dreams, cultivating plural value-ecologies of living and dying with others on Earth. How to intensify them? How to make them felt?In 2020, amidst the profound upheavals brought about by the COVID-19 pandemic and the many public health responses to it, we issued an open call for storytelling proposals from groups and individuals from around the world, with stories that might help us envisage ways of living and dying well outside of the modern coordinates of progress. After over 175 initial proposals from every corner of the world (by artists, activists, academics, students, and many other people from different walks of life) and a long and collaborative process of development and curation, this exhibition of over 60 “stories” in a variety of genres, media, and styles, is one collective response to that call.But it is also more than that. Composed collectively by contributors, curators, designers, and collaborators alike, all navigating and negotiating lockdowns and social distancing measures and a plethora of other restrictions on our modes of sociality, this exhibition is also a living archive, a testimony of what happened and what can still happen in the interstices of such distances, when we insist in spite of all on thinking and being together (apart). And because any “after” to progress necessarily calls for the plural, what one will find here is a veritable cornucopia of experiments in storytelling that are speculative, ethnographic, poetic, drawing on or reinventing any and every genre: SF, nature writing, poetry, aphorisms, brief dramas, short films, interactive webpages, letters and epistolary forms, fictional encyclopaedia entries, instructions, auditory compositions, and many more. They each raise and pursue their own questions and their own possibilities, thickening the present through the many disparate yet interlaced threads they weave in their divergences and tensions.

Remote Chaos Experience

Closer Encounters – Finale

ossia score

The Rise and Fall of “Social Bot” Research

Painting Tech Dystopia: How the West tells itself fairytales about Asia – and believes they are real

Van Gogh TV – Piazza virtuale Hallo hallo ist da jemand?

Union Busting What is it and why you should care

Day to Night Timelapse Photography: “The Holy Grail”

Reclaim Your Face

When Wikileaks bumped into the CIA: Operation Kudo exposed

What is Algorave?

How to add Critical Thinking to your Making

“Information. What are they looking at?” A documentary on privacy for the broad audience.

Julian Assange and WikiLeaks: anatomy of a persecution

Stop general data retention in the EU – current plans for mass surveillance

Chinas Sozialkreditsystem: Das gefährlichste Bonitätssystem der Welt

Warum personalisierte Werbung verboten werden muss

Solving social networking through interconnectivity

Opening

The GoldenNFT Project

The GoldenNFT

We are offering a collection of 5555 NFTs for individual sale. Among these works are the 16 originals that can be seen here on the site. The remaining 5539 works are collectibles that our script has made based on the originals. The sale of the individual works takes place covertly – anyone who buys an NFT does not know beforehand which one it is. Exactly 24 hours after the sale, you will find out which work you have bought. Then you can keep it or sell it on OpenSea. The price per NFT is 0.05 ETH (Ethereum).

havewesucceededinbuyingthegoldevisayet.gif

Alle NFTshavewesucceededinbuyingthegoldenvisayet.gifvon !MEDIENGRUPPE BITNIKZum Salehavewesucceededinbuyingthegoldevisayet.gifby !MEDIENGRUPPE BITNIKhavewesucceededinbuyingthegoldevisayet.gif is a HQ 4K Status GIF. The current status is No. The GIF will be exchanged to Yes in the smart contract as soon as the Golden Visa is secured.havewesucceededinbuyingthegoldevisayet.gif is part of a series of NFTs by artists to help secure Golden Visas for refugees via the European residency by investment schemeCredits:Photo from Refugee Camp in Lesbos by Milad E.Graphics support by Rahel Arnold, Zurich”NO!” font animation uses blotter.js library https://blotter.js.org/

#purplenoise

#purplenoise

#purplenoise is an interdisciplinary technofeminist research group that uses real-life events to explore social media as the arena for protest and large-scale political manipulation. The research methodolody includes intervention, infiltration, manipulation, technofeminist propaganda, poetry, fake news, love, and anger.