Malta Pavilion at the Biennale Arte 2019

Maleth / Haven / Port – Heterotopias of Evocation is the title of the selected curatorial project that will represent Malta at the next Biennale di Venezia in 2019.

The winning team is composed of Dr Hesperia Iliadou Suppiej (lead curator), Vince Briffa (artist), Klitsa Antoniou (artist), Trevor Borg (artist) and Perit Matthew Joseph Casha (architect/designer). The production management team is composed of Mr Stephen Ciantar and Mr George Lazoglou.

The aim of the Malta Pavilion is to offer a platform through which Maltese contemporary artistic practices understood within the broadest sense of the term can be exposed, contextualised and presented to an international audience.

Dr Hesperia Iliadou-Suppiej (lead curator)
Setting Malta, Maleth, at the centre of its theme the project focuses on the role of the island as cultural centre of the Mediterranean Sea, both in history and in current times. The project seeks to present an exhibit which invites the audience to reflect on their own lifetime journey of self- discovery, their own search for a personal Haven/ Port.

Drawing on the tri-fold of history/archaeology, myth/tradition and vision/expectation, the exhibit aims to create within the space of the Malta National Pavilion a topos/locus of artistic conversation for the whole of the Mediterrenean Sea. Absolutely entuned with this year’s theme of the Venice Art Biennale as described by its artistic director, Ralph Rugoff the project ‘will aim to welcome its public to an expansive experience of the deep involvement… engaging visitors in a series of encounters…’, leading to self- discovery.

Creating a space within space, Evoking Heterotopias invites the audience to participate in an intuitive dialogue with the artworks which are organically placed within the built shell of the Venetian Arsenale. As vessels/islands within a sea, artworks come together, in creating a unique experience for the visitor, who is asked to traverse the exhibition space in a voyage of self discovery that takes place in a suggestive fictitious space of controlled light and sound.

CAVE OF DARKNESS – PORT OF NO RETURN
A site-specific installation by Trevor Borg

Trevor Borg’s work titled Cave of Darkness– Port of No Return proposes a re-imagined multilayered narrative of ancient creatures and long lost civilizations, exploring entrapment concealed within a Haven. Drawing from animal remains and artifacts excavated in a cave in Malta the work seeks to make (up) histories and to fabricate realities and semblances.

In a site-specific installation meticulously researched by the artist, excavated remains of never-seen-before creatures and peculiar artefacts retrieved from now lost ancient Mediterranean cultures re-emerge to expose new layers of meaning.

The artist invites the visitor into a mystical journey of surprise and self-inquiry navigating through the pre-historic layers of Malta in the footsteps of its earliest inhabitants and their final end. The work is an exploration of entrapment concealed within a safe haven.

OUTLAND
A multi-screen projection by Vince Briffa
OUTLAND focuses on the indecisiveness of man as he longs to return to his original life, caught between the safety of an island and the peril of sea crossing.

Inspired by The Odyssey, it uses the myth of Calypso and Ulysses to reinterpret, in contemporary imagery and sound, the duality of the character of Calypso, as lover and oppressor, as she offers a haven for Ulysses during the seven years of his harbouring in her cave.

Through multiple films, the installation explores the numbness and the lure of safety, the obsession of keeping someone hostage and the longing for freedom.

ATLANTROPA: A HETEROTOPIA OF EVOCATION
A multi- media installation by Klitsa Antoniou
Atlantropa was a gigantic engineering and colonisation idea devised by the German architect Herman Sorgel in the 1920s. His project proposed to partially drain the Mediterranean forming a European supercontinent.

Today, more than ever, the Atlantropa scheme (of forming land bridges in the Mediterranean) seems relevant as it is suddenly fortified by contemporary intensity to remind us of the limits on freedom (migrants and refugees) and the destiny of the inhabitants of this area (surviving amid military, political, economic, social complexities/contrasts, migrations and fluid topographies of rejected, forgotten, unseen and silent memories).

This project in the context of the Malta Pavilion will aim to conceptually and artistically join the two islands of the Mediterranean, Malta and Cyprus, by offering glimpses on the utopian drives and the dystopian fallouts that characterise the Mediterranean area.

BIOGRAPHICAL NOTES

Lead Curator
Dr Hesperia Iliadou de Subplajo-Suppiej
Hesperia is an elected professor in the History of Art &Architecture and a Museum Studies specialist, member of ICOM-Italia, the International Council of Museums. Educated at the NTU Athens, the University of London (Bartlett) and the Research Centre of Museum & Galleries of the University of Leicester, she is currently researching socially engaged strategies in curating and the creation of a new museum in Venice dedicated to artisan practices and the arts.

Since 2014 she has been acting commissioner for the Venice Biennale and involved in different aspects of the research and organisational process of exhibiting in Venice. She has curated different exhibitions of both contemporary art and historical themed museum exhibits, lastly being curator of the inaugural exhibition of the European Capital of Culture 2017.

She lives in Venice, where she currently teaches Museology, Exhibition Techniques and Socially Engaged Art at the MA in Curatorial Practice at the European Institute of Design. Her academic publications and research focuses in contemporary practices in representing and exhibiting the cultural history and arts of the Mediterranean Sea.

Artists

Dr Trevor Borg
Trevor is a practising artist, curator and lecturer within the Department of Digital Arts at the University of Malta. He holds a PhD in Fine Art practice from the University of Leeds and his work spans a diverse range of media from drawing to painting, sculpture, photography, film, and installations.

He has worked in the creative industries, namely within the design sector and with Heritage Malta, the national agency for museums.

His work has been shown in numerous museums and galleries internationally and he regularly delivers talks and papers related to art practice and research.

He has exhibited his work at the MKM Museum Küppersmühle Duisburg, Künstlerhaus Vienna, Museum voor Moderne Kunst Oostende, European Parliament, NRW-Forum Dusseldorf and Stadsschouwburg De Harmonie Leeuwarden, among many others.

Professor Vince Briffa
Vince is Associate Professor and Head of Department of Digital Arts at the University of Malta. A multi-disciplinary artist educated at Leeds University and UCLan in the UK.

He is a Fellow of the Civitella Ranieri Foundation, New York and curated exhibitions at the NRW-Forum, Düsseldorf; the Münchner Künstlerhaus, Munich; Les Rencontres Arles, France; Leeuwarden, the Netherlands amongst others. Briffa has published numerous papers and books related to art practice.

As an artist, he has exhibited in major museums and art galleries worldwide, including the Venice Biennale (1999); the United Nations Building, Geneva; the Museum of Modern Art, Liechtenstein; the Museo de Arte Contemporaneo de Santa Fe, Argentina; Palais Liechtenstein, Austria; the Museum of Fine Arts, Romania and the Museum of Modern Art, Tel Aviv amongst many others.

He was also commissioned projects by the Cork 2005, Pafos 2017 and Leeuwarden-Friesland 2018 European Capitals of Culture. His work forms part of numerous private and public collections.

Dr Klitsa Antoniou
Klitsa is a Professor of Fine Arts at Cyprus University of Technology. A multidisciplinary artist educated at Wimbledon School of Art, St Martin’s School of Art and Design London (B.F.A.), Pratt Institute (M.F.A.),  New York University, USA (D.A. Program) and Cyprus University of Technology (PhD).

As an artist, she has exhibited in major museums and art galleries worldwide. She  has been an artist in residence in many countries and participated in numerous workshops and seminars. Her work has been exhibited in Herzliya Museum, Israel, Circulo de Bellas Artes, Madrid, Palais du Rhin/Drac Alsace, Strasbourg, Arte Contemporanea Pinerolo, Torino, Sandstrom Andersson Gallery, Sweden, Exhibit Gallery, London, Antrepo, Istanbul, Espace Commines, Paris, Pulchri Studio, Hague, Macedonian Museum, Thessaloniki, Wonderland Lotte Square, Quanzhou, China, Bozar Expo, Belgium, Museum of Contemporary Art, Sarajevo, Skanes konstforening, Malmo, Sweden, Petach Tikva Museum, Israel, Museum of Nanjing University of the Art, China and The Museum of the Arts of the 20th and 21st Century, St Petersburg, Russia. She  has won numerous awards.

Architect/ Designer
Perit Matthew Joseph Casha
Matthew is an Architect and Civil Engineer specialising in architectural and spatial design. Having graduated with a Bachelor’s degree in Engineering and Architecture in Malta, Matthew pursued his studies with a Masters Degree in Construction Project Management in Aberdeen, Scotland. Before founding his own studio, Matthew worked on a number of major national projects, which involved integration of spatial planning with high end detailed design.

Through the mission of ‘Inspiring change through creative action’, Matthew has successfully worked on a number of architectural and spatial projects promoting good design through industrial, commercial and residential projects.

Besides practising architecture, Matthew is also experienced in project leadership, as well as in the organisation of local design exhibitions and festivals, such as Malta Design Week 2012 and 2014. Having a keen eye and passion for design, Matthew has also successfully participated in various local and international design competitions.

Production Management Team
George Lazoglou
George has studied Electronic Engineering and Energy Management systems. Parallel to this, he attended Photography and Theatre Lighting Courses and workshops in Edinburgh, London and Thessaloniki. He has a MA in Multimedia Design, from the Cyprus University of Technology, in the research area of “Virtual Reality and Theatre” (2012). In addition, he completed a year in the Doctorate program in professional Studies at Middlesex University in the subject of Multimedia Applications in Contemporary Theater.

He is a production manager and a light designer working in the Theatre area specializing in Light and Multi-media Design. He was project Manager for a number of International Visual Arts Exhibitions both in Cyprus and abroad.

Under his direction, as a Production Manager of Paphos2017 European Capital of Culture, some of the biggest and most important performances and artistic events ever happening in Cyprus were planned and implemented.

Stephen Ciantar
Stephen is the Managing Director of an import and distribution company specialising in power, control and lighting automation systems, with direct emphasis on lighting design automation. His company has undertaken numerous lighting projects in all sectors of the market, namely upscale residential lighting, commercial and industrial systems.

Previously Stephen has worked with German and American owned companies in the electronics manufacturing sector and was responsible for Sales Export and Business Development for various regions, globally. He has on numerous occasions organised the respective company’s participation in international exhibitions across many countries.

Stephen has over 20 years of managerial experience in international trade, export and business development and has also managed numerous projects bringing together product specialists from various countries thereby promoting cross border collaborations.

More info:

Arts Council Malta announces winning project for the Malta Pavilion at La Biennale di Venezia 2019

Call for a Curatorial Team for The Malta Pavilion at the 58th International Art Exhibition at La Biennale di Venezia 2019

Keynote @Circuits Conference

Adnan Hadzi gave a Keynote on sounds of distinction at the Circuits conference.

Circuits Artwork

Circuits is Electronic Music Malta’s annual conference organised in collaboration with Fondazzjoni Kreattivita and which has been organised every year since 2016.

Circuits, the annual conference for electronic music production and performance enthusiasts is back! Now in its fourth edition, Circuits is being again organised at Spazju Kreattiv and will span two days on the 3rd and 4th of May 2019.

At Circuits this year, besides the usual non-stop discussions, performances, and installations, there will be several new additions. One of these additions will be the presence of a public music equipment stand sporting various state of the synthesizers, drum machines and other equipment which the public can try out.

Besides these, the public can attend to a lecture followed by a performance on how to build guitars or distortion units from recycled equipment, they can attend a masterclass on mastering hosted by a world-class producer and engineer, experience alternative electronic music performances which include live sketching, a modern chamber ensemble and also a performance where electro-acoustic and synthesizer pioneers meet today’s electronic dance music.

Circuits, the conference for local electronic music production enthusiasts, returns this year on the 3rd and 4th of May at Spazju Kreattiv, Valletta. This conference is now in its fourth edition. For the first time, this year, there will be a music equipment demonstration area hosted by Black Box Pro.

In 2015, Electronic Music Malta (EMM) was born out of the need for such artists to be recognized and for them to come together exposing themselves to educational initiatives and opportunities, sharing with the public their skills and knowledge preferably in the Maltese mother tongue, networking with other organizations and other artists, to document the works and achievements of similar artists in the past years, to maintain in good condition the innovative instruments developed in the past 40 years some of which where actually used in the local music scene and to champion innovation in electronic music and art in general. Ever since its formation, EMM partnered with Fondazzjoni Kreattivita and the National Radio Station so to promote the above objectives, setting out to organize periodical activities of various nature (as documented in this annual report), launching their bi-weekly voice on national radio (Radio Malta 2), and being officially recognized as a Voluntary Organisation (with the above objectives being part of the statute). Metro Electronic Music Malta

What will be Happening on the First Day?

The equipment demonstration area will open as from 16:00 hours whilst there will be a workshop hosted by Patricia Cvetkovic at 17:00 hours.
The first day will come to a conclusion at 20:00 hours with a Performance-Lecture by alternative instrument creator Yuri Landman, a past artists-in-residence of the Spazju Kreattiv Artists’ Residency. During this activity, Yuri will be performing using a variety of his instruments whilst delving into technical aspects used in the creation process.

What will be Happening on the Second Day?

On the second day, the conference will reach its peak with a series of discussions and representations starting at 14:00 hours with the participation of Adnan Hadziselmovic, In†rσwΣrks, Mario Abela, Melchior Sultana, Mike DesiraPatricia Cvetkovic, Robert Babicz, The Ebbin & Flow, and Vertical Dimension.

The interact area (with live dj’s, an information desk and video kiosks) will open as from 14:00 hours and the equipment demonstration area will open as from 13:00 hours.
The conference will come to an end at 20:00 hours with a concert from the groups POW Ensemble and Poèmes Électroniques.

POW Ensemble / Poèmes Électroniques Performances
Yuri Landman Performance-Lecture
Demonstration Area
Discussion Area
Workshop Area

Malta Sound Women Network
The aims of Malta Sound Women Network is to promote/showcase women in music technology. The Malta Sound Women Network Concert Live performances by:
Tricia Dawn Williams – Pianist
Luc Houtkamp
YEWS
Jess Rymer & Glen Montanaro – Musician
MSWN teens
Malta Society of Arts

Documentary Screening – Gary Numan Android in La La Land – Promoting Mental Health Awareness, will be EMM’s first collaboration with the Richmond Foundation (Malta). As the documentary covers a particular aspect of Gary Numan’s career who, in his early fifties, faced numerous mental health challenges, we thought it was fit to bring forward a subject which may still be considered a taboo amongst many. Electronic Music Malta Gary Numan – Android in La La Land Richmond Malta

Object, Objetc, Objecc
This exhibition brings together the work of three international artists: Liza Eurich (CA), Katri Kempas (FIN) and Letta Shtohryn (UKR/MT). Having met during a month-long residency at SIM in Reykjavik Iceland, they continue to hold informal conversational exchanges, a mechanism that acts as the starting point for this project. Operating from a platform of call and response, the production of work for this exhibition seeks to explore methods of translation: from simulated to real, from personal to referential, from present to absent and vice versa. Further, it provides a methodology for working collaboratively across the geographical expanse, opening up a space of intimate dialogue. Starting from a shared interest in objectness, the thematic for these exchanges will engage with processes that endeavour to dematerialize the material, or conversely materialize the immaterial. An Art Additives Talk will also be held in relation to this exhibition. Spazju Kreattiv Object, Objetc, Objecc

Cryptorave #10 @HEK

As part of the exhibition Swiss Media Art: !Mediengruppe Bitnik, Fragmentin, Lauren Huret – Pax Art Awards 2018 a Cryptorave will take place at HeK; a dance party that combines crypto currencies and live action roleplaying games.

!Mediengruppe Bitnik, Omsk Social Club, Knoth & Renner, Cryptorave #10, 2019

Recently, !Mediengruppe Bitnik – Carmen Weisskopf and Domagoj Smoljo – developed Cryptoraves in collaboration with Omsk Social Club: performative events including live action role-playing games, dance parties and crypto currencies. Visitors are invited to take part in the participative performance by registering on the Cryptorave website and allowing their computer to mine the anonymous crypto currency Monero in order to unlock information about the party and the role to be played. By joining their computing power, the participating community collectively generates value to enable the autonomous dance party experience. Through the online mining process, participants unlock their LARP identity, the Cryptorave reader and finally their entry ticket to the rave.

Mine your ticket and unlock information on the party here: http://0b673cce.xyz

The acts Ven3mo (CH), Primitive Art (IT), Crystallmess (FR) and Suutoo (GB) will play live at the Cryptorave.

Ven’3mo is a Geneva-based multidisciplinary artist, DJ and researcher. She plays with sound in order to explore notions of hybridisation and mutation – looking at music as a vector for transformation and deconstruction. Her sets are not subject to one genre and are filled with different textures and narratives.

Primitive Art is an Italian experimental music band founded in 2011 by the collaboration of Matteo Pit and Jim C. Nedd. Digital soundscapes provide the arena for timbres, melodies, verses and spoken words to crash into one another. Within the haze, the duo winds up its chaotic energy, channeling their intimate songs in strange territories.

Through the medium of DJing, Crystallmess concentrates on the analysis of so-called „subcultures“ and the influence of black diasporas. Through the multiplication of references to dancehall, soca, logobi and hip-hop, Crystallmess manifests the importance of these currents in the formation of new musical territories. Her expressive sets decolonise club culture, inviting us to rethink the future.

Multi-disciplinary artist and musician Suutoo creates soundscapes both harmonious and discordant. Utilising fantasy as a weapon of choice, Suutoo destroys the gods you thought you worshipped and lets you swallow light.

Black Mirror Special on ARTE.TV about crypto raves.

Amnesia Scanner

Rave Culture on Block Chain

Immersive Lab workshop @HEK

Adnan Hadzi took part in the immersive lab workshop @HEK. The ‘Immersive Lab’ is an artistic and technological research project of the Institute of Computer Music and Sound Technology at the Zurich University of the Arts. It is a media space that integrates panoramic video, surround audio with full touch interaction on the entire screen surface. The ‘Immersive Lab’ provides a platform for a catalogue of artistic works that are specifically tailored to the unique situation that this configuration offers. These works articulate the relationship between immersive media and direct interaction. It functions both as a space for experimental learning and creation and as a permanent audiovisual installation for the general public, showing finished pieces in a self-explanatory way.This installation as a platform is the fruit of several years of investigation and artistic creation. The term Immersion is used in a broader sense. Apart from spatial envelopment by image and sound, additional levels of immersions are generated for the visitors: they enter into a dedicated physical space, direct tactile interaction on the panoramic surface enhances their personal engagement, and finally within the shared space arise group behaviour and social interactions. Such an extended form of immersion provides a multi-faceted experience.The compositions can be collaboratively created and combine visual and sonic material with generative and algorithmic methods. The artistic approach focuses on real-time pieces that react to visitor interaction and that take advantage of the panoramic nature of the installation.

Different forms of engagement are possible within the installation. The audience can freely explore the works and experience different types of perceptions. Artists can experiment with the development of compositional strategies for working with different senses and artistic domains. The installation exposes foundational aspects of immersion such as spatial and multi-sensory perception, which provide interesting topics for investigation.Work in the ‘Immersive Lab’ happens in different phases, activities, and addresses different people. In a teaching context, in general, any student can visit the lab in guided tours. Students majoring in electronic music or media arts, however, are invited to actively learn by exploring the inner workings of existing pieces. Artists and advanced students have the opportunity to become involved more intensely by creating entirely new pieces. For this, the ICST offers to share its experience, methods, and tools for development and realization of ideas for this particular media space. Finally, in the exhibition context, general audiences are invited to experience the catalogue of works.

boattr.uk @IS&T International Symposium on Electronic Imaging

Adnan presented the boattr project during the EI 2019 conference.

Founded in 1947, the Society for Imaging Science and Technology (imaging.org) is a professional international organization dedicated to keeping members and others apprised of the latest scientific and technological developments in the field of imaging through conferences, educational programs, publications, and its website.

IS&T encompasses all aspects of imaging science, with particular emphasis on digital printing, electronic imaging, color science, image preservation, photofinishing, pre-press technologies, hybrid imaging systems, and silver halide research.

History

In 1947 a group of 81 researchers from the National Archives, US Navy, National Bureau of Standards, Signal Corp Engineering Laboratory, Massachusetts Institute of Technology, Georgetown University, Bell & Howell Co., and Eastman Kodak Co.—to name a few—worked together to form the Society of Photographic Engineers. The goal was to establish a society to concentrate on publishing scientific papers in the area of photographic engineering. Before this, papers where published in a multitude of publications mixed with other papers of various non-related material. The membership more then doubled before 1950. The first issue of “Photographic Engineering” was published in January 1950.

As a result of “Photographic Engineering”, the newly formed Society was able to bring in 18 corporate members, including Bell & Howell Co., Eastman Kodak Co., Bausch & Lomb Optical, Graflex Inc., and Kollmorgan Optical. By the end of 1950 the Society had 33 corporate and more than 270 individual members.

The Society of Photographic Engineers changed it’s name in April 1957 to the Society of Photographic Scientists and Engineers (SPSE). Shortly thereafter the first issue of the “Journal of Photographic Scientists and Engineers” was published. On Jan. 29, 1992, the name of the Society was changed to the Society for Imaging Science and Technology (IS&T).

Cryptorave #8 @TM

Mediengruppe Bitnik

!Mediengruppe Bitnik

!Mediengruppe Bitnik (read: the not mediengruppe bitnik) are contemporary artists working on, and with, the Internet. Using Hacking as an artistic strategy, their works re-contextualise the familiar to allow for new readings of established structures and mechanisms. Their practice expands from the digital to physical spaces, often intentionally applying loss of control.

They have been known to intervene into Londons surveillance space by hijacking CCTV cameras and replacing the video images with an invitation to play chess. In 2014 Bitnik connected the darknet directly with the gallery space through a shopping bot. With a weekly budget of $100 in Bitcoins, Random Darknet Shopper went shopping on the deep web where it randomly bought items like cigarettes, keys, trousers or a scan of a Hungarian passport and had the items sent directly to exhibition spaces in Switzerland, the UK and Slovenia. In a more recent series of works !Mediengruppe Bitnik use the hacked online dating site Ashley Madison as a case study to talk about the current relationship between human and machine, Internet intimacy and the use of virtual platforms to disrupt and defraud.

!Mediengruppe Bitnik are Carmen Weisskopf and Domagoj Smoljo. They are currently based in Berlin. Their accomplices are the filmmaker and
researcher Adnan Hadzi and the reporter Daniel Ryser.

http://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/

35c3 highlights

“Das ist unser Haus!” from SEELAND Medienkooperative on Vimeo.

The 25C3 highlights:

Lecture: Opening Event
Lecture: Locked up science & Projekt Deal
Open Infrastructure Orbit Vortrags-Arena & OIO social
Lecture: Mind the Trap: Die Netzpolitik der AfD im Bundestag
Lecture: Frontex: Der europäische Grenzgeheimdienst
Lecture: Updates von der europäischen Außengrenze
Lecture: Censored Planet: a Global Censorship Observatory
Lecture: How does the Internet work?
Lecture: Scuttlebutt
Lecture: Introduction to Deep Learning
Lecture: Digital Airwaves
Lecture: Citzens or subjects? The battle to control our bodies, speech and communications
Lecture: Transmission Control Protocol
Lecture: Afroroutes: Africa Elsewhere
Theater/performance: A la recherche de l’information perdue
Lecture: Tactical Embodiment
Lecture: It Always Feels Like the Five Eyes Are Watching You
Lecture: Hacking Ecology
Lecture: Inside the Fake Science Factories
Lecture: C2X: The television will not be revolutionized
Lecture: The Urban Organism
Lecture: Reality Check! Basel/Lagos?? In virtual reality?
Lecture: The Surveillance State limited by acts of courage and conscience
Lecture: Theater und Quantenzeitalter
Lecture: Wind: Off-Grid Services for Everyday People
Lecture: Smart Home – Smart Hack
Lecture: How to teach programming to your loved ones
Lecture: The good, the strange and the ugly in 2018 art &tech
Theater/performance: Never Forgetti
Lecture: The Enemy
Lecture: Computer, die über Asyl (mit)entscheiden
Lecture: Analyze the Facebook algorithm and reclaim data sovereignty
Lecture: Attacking end-to-end email encryption
Lecture: Schweiz: Netzpolitik zwischen Bodensee und Matterhorn
Lecture: The Ghost in the Machine
Lecture: The Layman’s Guide to Zero-Day Engineering
Lecture: DISNOVATION.ORG & tracery & movim
Lecture: Die EU und ihre Institutionen
Lecture: What is Good Technology?
Theater/performance: Mondnacht
Lecture: Meine Abenteuer im EU-Parlament
Film: All Creatures Welcome & All Creatures Welcome
Generative Art with Paper.js
Wie aus einer Wette ein Kiosk System für den Raspi wurde
Programmieren mit der Maus
Exploiting PS4 Video Apps
Neusprech Crashkurs
Lecture: From Zero to Zero Day
Lecture: Internet, the Business Side
Lecture: Transhuman Expression
Lecture: Best of Informationsfreiheit
Lecture: The Critical Making Movement
Lecture: MicroPython – Python for Microcontrollers
Lecture: Planes and Ships and Saving Lives
Lecture: Archäologische Studien im Datenmüll
Lecture: Matrix, the current status and year to date
Lecture: Domain Name System
Lecture: Die Häuser denen, die darin wohnen & das ist unser haus
Lecture: Web-based Cryptojacking in the Wild
Lecture: Mehr schlecht als Recht: Grauzone Sicherheitsforschung
Lecture: Freedom needs fighters!
Lecture: A Blockchain Picture Book
Lecture: Butterbrotdosen-Smartphone
Theater/performance: A WebPage in Three Acts
Lecture: Media Disruption Led By The Blind
Lecture: Desinformation und Fake News – Bekämpfung und Verifizierung leicht gemacht
Lecture: Internet of Dongs
Lecture: Circumventing video identification using augmented reality
Lecture: The foodsaving grassroots movement
Lecture: #afdwegbassen: Protest, (Club-)Kultur und antifaschistischer Widerstand
Lecture: Repair-Cafés
Lecture: Hebocon
Other: Chaos Communication Slam
Lecture: Hacking how we see
Lecture: Are machines feminine?
Lecture: Radical Digital Painting
Lecture: Microtargeting und Manipulation
Lecture: Court in the Akten
Lecture: Dissecting Broadcom Bluetooth
Lecture: Cat & Mouse: Evading the Censors in 2018
Lecture: Augmented Reality: Bridging the gap between the physical and the digital world
Lecture: Kickstart the Chaos: Hackerspace gründen für Anfänger

Generating New Narratives

The Turkish based cultural association diyalog invented and realized the Mahalla Festival dedicated to migration, exile and cultural identity in the frame of the Istanbul Art Biennale 2017. The second Mahalla Festival took place in the frame of Valletta European Capital of Culture 2018.

The festivals brought together cultural actors and initiatives from different fields and different backgrounds in Europe and beyond to support an intercultural understanding in the field of migration, inclusion and local communities. Under the title Generating New Narratives the festival in Malta displayed art works, performances, installations, screenings, readings and talks reflecting aspects of borders, armed conflicts and migration, minorities, hospitality and hostility, urban structures, inclusion and intercultural communication.

In November 2016, following an invitation of the Villa Romana in Florence, various cultural initiatives from Europe came together at the Museum Centro Pecci, Prato, and at the Villa Romana, Florence, under the title Gravity for All. The question of this first discussion was: if the European migration crisis continues to be a scandal, how should artists and cultural actors behave?

The participants expressed the desire to establish a sustainable international network for the exchange of experiences between cultural initiatives and artists of the host countries and the newcomers. Since then the Mahalla Festival was established and is continuing on different locations. In 2020 we are planing to organize the Mahalla Festival in the Kurdistan Region of Iraq.

Cultural Mapping Conference

The annual Valletta 2018 international conference on Cultural Relations in Europe and the Mediterranean returns with its second conference, titled “Cultural Mapping: Debating Spaces and Places” on the 22nd and 23rd October at the Mediterranean Conference Centre in Valletta.

The conference is being organised following last April’s launch of the online map www.culturemapmalta.com – which exhibits the data collected during the first phase of the Cultural Mapping project, led by the Valletta 2018 Foundation. Bringing together a number of international academics, researchers, cultural practitioners and artists, the conference will explore various exercises of cultural mapping taking place across the world. With the subject being relatively new to Malta, speakers will be discussing the role of cultural mapping within the fields of cultural policy, artistic practice, heritage and cultural identity, amongst others.

Speakers include experts, academics, researchers and activists within the fields of tangible and intangible heritage, sustainable development, and cultural policy, both across Europe and the Mediterranean. Keynote speeches will be delivered by Prof. Pier Luigi Sacco, a cultural economist who will be presenting examples of cultural mapping taking place in Italy and Sweden, and Dr Aadel Essaadani, the Chairperson of the Arterial Network, a Morocco-based organisation that brings together art and culture practitioners across the African continent.

The conference will also feature a series of parallel sessions, allowing researchers from across the globe to present examples of cultural mapping taking place in various European and non-European contexts. Parallel sessions will explore a broad range of issues, including the use of innovative digital technology within cultural mapping, the role of cultural mapping in participatory community-based work, and cultural mapping as a tool within artistic practice. Highlights include presentations of cultural mapping exercises taking place in Palestine, New York and Hong Kong, as well as in Malta and across Europe and the Mediterranean. The conference will be complemented by a site-specific installation by artist Trevor Borg and a series of short film screenings developed by conference presenters.

The first conference in this series, titled “Dialogue in the Med: exploring identity through networks” was held in September 2014, and brought together academics, researchers and cultural operators from across the Mediterranean to debate issues related to cultural mobility and networking. Proceedings from this conference will be published in due course.

‘Cultural Mapping: Debating Spaces & Places” was the second conference within this series. This conference was held on the 22nd & 23rd October 2015 at the Mediterranean Conference Centre in Valletta.

The conference included two plenary sessions, a speed networking session, to further increase networking opportunities, eight parallel sessions, and various other complementary events, including a site-specific installation and two short film screenings.

The full conference programme can be downloaded here: Cultural Mapping Debating Spaces & Places programme

The conference outcomes can be accessed here: Cultural Mapping – Debating Spaces & Places – Outcomes

Subjective Maps is about people designing their own map of the town they live and work in. People come together in a workshop setting to draw maps, tell their stories and meet each other. The project then produces maps that can be used by others to visit and navigate the town.

Subjective Maps will be collected from six different localities in Malta and Gozo, including Valletta, St Paul’s Bay, Ħamrun, Birżebbuġa, Gżira, Victoria (Gozo).

The earliest maps were ‘story’ maps. Cartographers were artists who mingled knowledge with supposition, memory and fears. Their maps described both landscape and the events, which had taken place within it, enabling travelers to plot a route as well as to experience
a story. – Rory MacLean

The project aims to:

1. Promote the successful integration of minority and non-Maltese nationals in Maltese community.
2. Identify the diversity in place-people relations and to map those relationships people have with the place where they live and where they call ‘home’.
3. Capture visual narratives of residents’ about their towns and communities.
4. Valorise visions of the community as share-able capital.
5. Provide a new representation of the town/village/community that is free of ‘cultural’ branding that valorises the touristic and heritage value of a place over the individual residents’ narratives and routes.
6. Provide a platform where community members meet and discuss their public spaces.

Do-It-Yourself Technologies for Action and Empowerment

Adnan Hadzi presented the boattr.uk computer book during the Mazi Symposium.

The MAZI project is concluding at the end of 2018. To mark the occasion we are inviting you to join us as we celebrate our achievements, share our stories and the lessons we learned, and perhaps most importantly, to discuss what should happen next. The symposium will present case studies from our pilot studies in Berlin, Zurich, London and northern Greece, along with talks by invited speakers. Building on the context of our own MAZI experiences, we will broaden out the debate with perspectives from outside the project.

SYMPOSIUM: Do-It-Yourself Technologies for Action and Empowerment: Stories, practice and perspectives

The MAZI project is developing a toolkit for building local, community wireless networks using Raspberry Pis.

The MAZI EU project is concluding at the end of 2018. To mark the occasion we are inviting you to join us as we celebrate our achievements, share our stories and the lessons we learned, and perhaps most importantly, to discuss what should happen next. The symposium will present case studies from our pilot studies in Berlin, Zurich, London and northern Greece, along with talks by invited speakers. Building on the context of our own MAZI experiences, we will broaden out the debate with perspectives from outside the project.

Themes: #WiFi-networking #RaspberryPi #DigitalArts #CommunityEngagement #Making-Hacking

The symposium (18th October) will present case studies from our pilot studies in Berlin, Zurich, London and northern Greece, along with talks by invited speakers. Building on the context of our own MAZI experiences, we will broaden out the debate with perspectives from outside the project.

Symposium Speakers include:

Programme (in development – check back for updates)

10.00 – 10.30: Welcome and introduction to the MAZI project: Michael Smyth, Edinburgh Napier University.

10.30 – 10.50: Berlin Neighborhood Academy: MAZI Pilot Study presentation: Elizabeth Calderón Lüning

10.50 – 11.10: London Creeknet: MAZI Pilot Study presentation: James Stevens & Mark Gaved

11.10 – 11.30: Break

11.30 – 12.00: The Reverso Project, DIY networking, occupied housing and surburban Favelas in São Paulo, Brazil: Elizabeth Wright & Loyane Bianchini, Central Saint Martins, London.

12.00 – 12.20: Zurich Kraftwerk Housing Cooperatives: MAZI Pilot Study Presentation: Ileana Apostol & Philipp Klaus

12.20 – 12.50: Invited Speaker: Wee Replicators, widening access to digital making: Denise Allan, Wee Replicators, Edinburgh.

12.50 – 14.00: Lunch Break

14.00 – 14.20: unMonastery village interventions in northern Greece: MAZI Pilot Study Presentation: Katalin Hausel & Lauren Lapidge

14.20 – 14.50: Invited Speaker: Adnan HadziBoattr, Digital Arts, University of Malta

14.50 – 15.20: Invited Speaker: Janis Lena Meissner, Digital Civics at Open Lab, Newcastle University, and co-founder of fempower.tech

15.20 – 15.45: Break

15.45 – 16.15: Invited Speaker: Chris Csíkszentmihályi. European Research Area Chair at Madeira Interactive Technology Institute, and director of the Rootio Project, a sociotechnical platform for community radio.

16.15 – 16.40: Invited Speaker: Jeremy Singer. Glasgow University, FRμIT: The Federated RaspberryPi Micro-Infrastructure Testbed.

16.40 – 17.00: Open Discussion: From Do-It-Yourself to Do-It-Together: Perspectives on the future use of community networking technologies for grassroots social impact

17.00 – 19.00: Drinks reception and book launch


Full details about this one-day symposium and associated workshops are here: www.mazizone.eu/mazi-workshops-and-symposium-2018-edinburgh-uk/

ACCESS: please note that the event takes place in the Dissection Room at Summerhall. There is some restricted access, please contact us (email option below) for more details.


Other events (free to attend) include half-day workshops/hackathons

Full details and booking: www.mazizone.eu/mazi-workshops-and-symposium-2018-edinburgh-uk/

The half-day workshops (16th & 17th October) will provide “hands-on” opportunities to try out the MAZI DIY networking toolkit, based around the Raspberry Pi. The workshops will be divided into two groups:

  • Workshop 1 will be for programmers and technical enthusiastswho are interested in finding out more about it all works, and perhaps getting involved in supporting the on-going development of the open-source project.

  • Workshop 2 is for technical novices with an interest in how the technologies can be used in domains such as; education, art & creativity, and civic & community participation.


The MAZI EU H2020 project partners are: