Figure it Out Consortium Meeting

FIGURE IT OUT: THE ART OF LIVING THROUGH SYSTEM FAILURES


Figure it Out: The Art of Living Through System Failures explores practices and phenomena in which systems and institutions fail specific communities and populations. Trapped within constraining situations, these people are starting to develop strategies of lying, cheating and stealing to counter their limitations and powerlessness vis-à-vis these systems.From the position of the dispossessed and excluded, actions and practices that would be condemned in the mainstream,assume a different ethical and political connotation. In popular culture, these practices are frequently celebrated as a cunning and crafty reworking, often poetic or humorous. They have also expanded into the digital sphere as well, where they are getting recombined in interesting ways facing new kinds of algorithmic power structures. Figure it Out will explore the use of these practices as forms of resistance and tools for bypassing rules, as attempts to obtain access to key rights that remain foreclosed for certain groups. The aim is not to indiscriminately celebrate personal gain through illicit behavior, but to acknowledge the ingenuity that comes in finding a way out of an impossible situation. Possible examples come from a broad variety of practices – such as the avoidance of internet censorship by transformation of entire websites into image formats or the camouflage techniques of migrants adopting a ‘western’ look to fool surveillance algorithms.The project will explore similar practices that enable disenfranchised groups to overcome barriers established by administrative and algorithmic regimes. The focus is on the strategies of rural women, eco-commoners, LGBTIQ+, migrants, etc. in conflict with corporate or state rules.Figure it Out involves partners from Croatia, France, Greece, Malta and Serbia who will work with and engage different communities sharing their stories through art productions, exhibitions, a radio festival, bonfire events and web-zines.

Erasmus.XR (&) Education – symposium

Fashion in phygital world – case studies of Balenciaga and H&M
Lois. Monstrous encounters
Teaching writers about XR – a chance for innovation in the writing practices or a dead end?
Traditional and XR film production – Virtual Production
Teaching the creative aspects of composing immersive, interactive experiences
Outputs of the ErasmusXR project and sustainability plan for the future
The Archisphere Studio of the Faculty of Intermedia in Krakow. Technology and Education
Shaping artistic practice and XR
Studio of Immersive Film and VR Experiences – artistic practice and teamwork
Interdisciplinary research and education in virtual reality and new media
From the ZTGK Challenge to scientific research and artistic activities – in search of the narrative in virtual worlds
Immersive technologies in Education – experiences of Voxel Lab
VR training solutions – a Virtual Training System case study

TM/CTM 2023: Portals

Research Networking Day
Research Networking Day
Research Networking Day
Fluid Components
Poetics of Listening
Temporal Dichotomies & Speculative Mythologies
The No-venue Underground & Digital Folklore Music Subcultures
Clubbing Generation Z
Authentically Plastic

Decentralized Remote Chaos Experience

Closing Ceremony

Cyberpunk 2022 Trust in digital communication
How We Founded a Citizen Television Station
Unser Weg zum portablen DNA-Synthesizer
US government demands direct police access to European biometric data
Kunst im Umbau
K – Kulturarbeit
Solidarisch essen, ackern, imkern und wohnen
Raum für die schöne Welt
Das Fediverse steht für Vielfalt nicht für Einfalt
Das Mietshäuser Syndikat und das Neubauprojekt Görzer128
Kunst und Kommerz, ein problematisches Verhältnis
Geschlechtergerechtigkeit und Making
Git: Let’s f*ck up history, and then restore it
«Thank you for your data» oder weshalb uns das Thema Data Analytics interessieren sollte
Real citizens of Rheinfelden living in an AI painted model of Jakob Strassers hometown
Metaverse und NFT

Global Dance Collaboration in the Metaverse

This showcase performance is a vibrant and diverse showcase of experimental work with motion capture in practices of remote choreographic collaboration, sharing the outputs of a six-month digital dance research residency. Six teams of both dancers and creative technologists – from India, Thailand, Malta, Brazil, the US and the UK, will present unique breakthrough work in their own dance style and aesthetic.The Arts and Humanities Research Council-funded Goldsmiths Mocap Streamer project ‘Building an international network for virtual dance collaboration’ has developed work with six teams in a six-month artist residency(Opens in new window). This project showcase event will be a combination of live dance, immersive screen-based performance, and playful interactive installation. It is present in a hybrid in-person and live-streamed mode with remote dancers performing together within a virtual and interactive environment. The six project outputs will be presented within an afternoon programme of presentations and conversations – come for some, or all of these exciting team presentations.

Global Dance Collaboration in the Metaverse

NoisyLeaks!

Dow does the right thing / I have a bad case of diarrhea: the (other) Julian Assange Story

NoisyLeaks! is a moment combining an exhibition alongside a series of events which will take place from October 8th to October 30th, 2022. NoisyLeaks! aims to collectively expose and celebrate the historical and cultural heritage of WikiLeaks and its influence on world-wide practices – a space and moment to share knowledge, practical skills and encourage freedom of information.

humans+=machines

Where music, technology and performance intersect humans+=machines is the first of a series of public audiovisual performances (this time) featuring Polish and Maltese artists exploring the boundaries of performance through digital technology and electronic music.
Electronic Music Malta (EMM) together with the Department of Digital Arts of the University of Malta and the Lodz Film School host this debut event featuring Polish audio visual artists FilipGabriel Pudlo and Bartłomiej Talaga in collaboration with music artists from EMM.Pudlo’s performance allows the audience to feel the pulse of the world in a short but immersive performance. Its genesis is formed around sound generated by the Internet to continue into the second act where the performer takes over.Talaga is a multimedia artist and educator. His past works include photography, sound, video, and installation.

Off-network low-impact living on the cut

The VR360 film titled Off-network low-impact living on the cut, published on boattr.uk, for the launch of the after progress exhibition, tells the story of the researchers’ journey on the narrow-boat Quintessence (boattr.uk) on the British Waterways, looking into off-network, local network use of technologies, as a low-impact living on the cut. The ‘boattr – living on the cut’ immersive film depicts the cut and canals of the British Waterways as a digital urban commons, through the artists’ journey on the narrow boat ‘Quintessence’ and the development of the ‘boattr’ prototype in collaboration with MAZI (for “together” in Greek), a Horizon2020 research project. Having operated the boattr.uk, mazizone and 7061 art project over three years, this story, in form of a VR360 film, documents the development of this research.With the evolution the moving image inserted itself into broader, everyday use, but also extended its patterns of effect and its aesthetical language. Video has become pervasive, importing the principles of “tele-” and “cine-” into the human and social realm, thereby also propelling “image culture” to new heights and intensities. The boattr VR360 film makes use of video as theory, reflecting the structural and qualitative re-evaluation it aims at discussing design and organisational level. In accordance with the qualitatively new situation video is set in, the VR360 film presents a multi-dimensional matrix which constitutes the virtual logical grid of the boattr project.

AMRO22 debug

AMRO, Art Meets Radical Openness, is a biennial festival for art, hacktivism and open cultures, organized since 2008 by servus.at in cooperation with the Linz University of Art, Department of Time-Based Media.The current edition of Art Meets Radical Openness is dedicated to the rituals and the philosophies of debugging. As a gathering of communities with interests across arts and cultures, networked technologies and political action, AMRO offers space for sharing knowledge and practices, focusing on the potential of debugging both inside and outside of the purely technical realm.