reTransmission

YT has recently rekindled contact with Indymedia activist network members as part of an initiative to build a new hosting platform, an Activist Media Proxy – AMP.

Little in the way of social documentary, street protest and public information material exists outside of the youtube/googleplex. Of the many attempts to change assumptions, Engagemedia and Undercurrents have lead the way.

Our hope is that in collaboration with activist media makers and producers, further good use can be made of this vibrant social history, to review past action and inform on current struggles.

The first move of the founding group has been to appoint a coordinator and gather together an information base, to establish communication and suitable support framework. With this foundation in place is has been possible to activate new services to begin working with the existing video collections, present tools for annotation and prepare selections for review.

Please visit the AMP project wiki for more information.

The video, audio and text archives will be stored in a web accessible database. Pan.do/ra offers the combination of media processing, context annotation and collaboration management tools needed. Several other media collections are being drawn together in London using this same great system.

Community archives are reactivated at Maydayrooms events where documents are scanned and media resources organised. Their collection features a selection of period film and event documentary, available over their local area network, alongside an extensive document catalogue for researchers to explore.

A complete set of the DAU film sequences, it’s huge image collection of period artifacts and extensive wardrobe as worn during filming and by residents of Kharkiv, features in their intranet media project. The DAU feature film is itself now due for release in 2017 the centenary of the Russian revolution.

4 for four

Creeknet, is one of four project pilots being operated as part of the MAZI initiative which will bring together components for a neighborhood network toolkit. This will feature a guide for those establishing or improving on open wireless and offline collaborative systems, advising on cost effective hardware and open source software solutions, whilst refining tactics and tutorials.

To help co-ordinate and explore the many options, we worked with MAZI partner University of Thessaly, Greece, to establish a suite of software to test and use in our local networks. Etherpad is a collaborative writing tool and OwnCloud is a document and media management system. UTH role is to co-ordinate and consolidate toolkit components and the first prototype, on a RaspberryPi disk image is available for testing featuring these and small selection of complimentary applications. In the simplest mode, presents a ‘stand alone’ wireless access point running webserver and other local services to promote working together. Without internet connection, any requests for webpages are redirected to local webpages listing services and describing options.

During recent workshop at the Prinzessinnengarten in Berlin, we heard about progress of MAZI pilot ‘Common Ground‘ during launch of Neighborhood Academy building in the garden. Their prototype ‘interview station’ enables one 2 one interview recording and publishing process. Completed interviews are published directly to their offline server prototype  for review and comment by those visiting the garden academy. The same combination of powerful software options and offline network server was in use during the recent Unmonastery at Kokkinopolis, a two week meeting in the Olympus mountains in Greece where it was first tested by them for communal exchange and interaction.

Kraftwerk1 housing cooperative in Zurich is working with Nethood to identify suitable evolutionary path away from their proprietary cloud information system. Their inspirational living model has been a great success and with growth of cooperative housing across Switzerland there is increasing interest in mapping of methods and monitoring of progress not least at Inura.

The ‘Creeknet’ pilot began in April 2016 describing first impressions and identified groups from the local area whom SPC have worked with in the past, to propose key issues and ideas to explore.There are many aspects to consider, changes to the built environment here are continuing at a rapid rate, some groups are being sidelined with conditions for living and working in the area facing disruptive challenges as well as opportunities.

Our role as advocate for user owned and operated information infrastructures is well known in the area. SPC worked with individuals, neighborhoods and local businesses from 2001 on a series of DIY low tech network projects, last represented by OWN, the open wireless network established 2008. Today the effects of population churn, rise of portable computing, concerns for personal security as well as long term exposure to the elements have reduced the operational status of OWN to a shadow of it’s former self.

The afterglow of positive experiences gained over eight years is now being rekindled with the prospect of renewed offline network development, expressing a passion for the ‘local’, celebrating neighborhood news and wider collaboration. The access to broadband provided by OWN in the area, needs re-doubling if it is to serve the co-ordination demands of MAZI ‘offline’ network development and monitoring of process. This process is now underway with new connections being upgraded between Deckspace in Greenwich and Minesweeper on the creek. From there we will continue to redistribute access to locations of activity nearby.

Monumental civil engineering and relentless apartment block building is underway throughout the area, bringing changes to the environment for everyone. For some it will mean the end of affordable rents for both domestic and workspaces. For others, this area of London is where overheads are still comparatively low. It will certainly result in increased traffic, noise and pressure on services, a transformation in the mix of people and expectations.

Pollution concerns over quality of water, air and electrosmog, processing of rubbish and recycling urgently seek answers. The Creekside Centre and other Deptford Creek groups are already working on the creeknet MAZI pilot to build on existing relationships and operate more effective information sharing and neighborhood network solutions. With these issues in mind early installations will include a range of passive environmental sensing of sound, light and radio.

The opportunity for social interaction in the area is limited to the few publicly accessible parks, pathways and the remaining pubs alongside west and eastern banks of the creek. A few new public areas have being created which have yet to be understood and adopted. For example the new footbridge at the mouth of the Deptford Creek, completes the Thames path between Deptford and Greenwich, a perfect place to focus attention and present a MAZI zone.

Triangulated

The brexit debacle has so far proved to be a substantial distraction from much else going on this week. However, work toward the first of many MAZI reports to satisfy conditions for EU support, has been completed on time. Our academic partners at the Open University now have an additional part time researcher (Gareth) in post to help prepare the ground work for the next phase of neighborhood engagement which SPC are for preparing now. Here is Mark pointing out the Minesweeper floatilla on the creek.

We haven’t had many visitors to the recent Brookmill Park, Monday meetups, though great progress has been made with those attending to clean and prepare the space for Redstart Arts who take up residence later this summer. Their current exhibition at the Deptford Lounge is result of 8 months work with learning disability artists and called ‘weatherSCAPE’. It has been installed in the 4 story atrium space there, very impressive!

Much of the Brookmill conversation so far, has been concerned with how to improve on use of the park and encourage a wider appreciation and support for the events and activities organised by the ‘friends’ group. Last weekend YT joined the Picnic and met with near neighbors as well as some more familiar faces. There was great interest in the MAZI activation initiative using the park keepers building and many questions on what and how might be possible. We sat in dappled light beneath a giant London plain tree with it’s bat and bird boxes, adjacent to the large pond with resident heron and frolicking water birds, to share stories, savories and cakes!

Later this month we will meet again with MAZI partners Common Ground in Berlin to review progress of the new Prinzessinnengarten building in progress  and enjoy the bloom of midsummer. Terry Edwards has been in a battle with slugs at the small gardens in Crossfields Estate he tends and will join us on the trip this time.

Here in Deptford there is no shortage of building work underway as seen here in this site view adjacent to CET. Directly opposite, preparations for the Tideway tunnel excavation are also advancing quickly. Intensive building work in progress on both sides of the creek reach are reaching crisis point as project increasingly coincide and collide. Any plans for environment monitoring, neighborhood awareness and useful responses may be foiled if we don’t make some rapid progress before long.

after.video @ AMRO

Art Meets Radical Openness
Festival dedicated to Art, Hacktivism and Open Culture

“Art Meets Radical Openness” is a community festival, an open lab, and a meeting point for artists, developers, hactivists, and idealists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

This exhibit and/or paper presents the after.video video book, discussing the topic of “Online and offline platforms for the exhibition and circulation of audiovisual media”. The after.video book represents a fusion of the modes of the digital/networked publication and the traditional form of the physical (wasted?) book. There have been first thoughts about the links and exchanges of the old traditional format of the book and the possible accordances of the digital book on a more practical level. The theoretical framing is given by thinkers of the book like Bob Stein: “the computer screen became a place for synchronous and asynchronous conversation. As web technology improved people started putting essays and books in a browser with a dynamic margin where readers could make comments visible to everyone. Over the past ten years the experience of dozens of ‘social reading’ platforms suggests that books will become places where people congregate to hash out thoughts and ideas.” (1). Practically this fusion of the possibilities and formats of new digital media (like video) and traditional academic text-form is also making headways – like exemplified in the ‘Frames of Mind’-project (2). Open Humanities Press has taken these beginnings and fused different pre-existing trajectories of development as instantiated by above projects and conceptions, and fused them with the idea of rendering the digital book after.video as a physical device, much along the lines already taken in the landmark project “The Weise7 in/compatible Laboratorium Archive” (3). This conceptual leap represented by the dual-mode video-book enables the Centre for Digital Cultures (4) and Open Humanities Press (5) to not only go beyond the format offered by the first two volumes of Video Vortex (as put out by the Institute for Network Cultures (6), but also beyond the current state of digital publishing in media-rich, video-centric contexts, thus presenting a unique publication which reflects upon video theoretically, but attempts to fuse form and content in its own dual format.

We also participated in the Liquid Democracy workshop, a report (in German) can be found here.

Energising Interest

Though our initial work with Minesweeper Collective as part of Mazi project pilot in Deptford Creek, we have talked a lot about how improvements to energy infrastructure could have a huge impact on quality of life and sustainability for those living on boats or otherwise off-grid. Wind turbines and solar collectors have long been used in these situations where fixed land connections for mains power are scarce. Harvested energy is stored in large batteries which need monitoring and management then safe, low loss re-distribution.

Boattr project illustrates some of these issues with DIY solutions to regulate energy and integrate with on board computers and sensors. Various initiatives are underway to bring these issues together and offer complimentary tool for those setting up autonomous energy systems.

Vexed, hashed and ported

Battlemesh 09 was the latest in a series of intensive exchanges organised and attended by the prime of mesh firmware developers, hardware hackers and community activists – An international movement of open wireless network innovation with it’s root in the earliest moments of net culture.

More than 80 contributors from Korea, Colombia, India, Argentina and across Europe gathered at the Faculty of Engineering in the University of Porto (Portugal) for a week in the deep code of OLSR, Babel, B.A.T.M.A.N, BMX and Batman-ADV, each contenders for eternal glory!

All use the OpenWRT operating system first issued at the outbreak of contemporary mesh networking in 2004, when discovery of GPL code in the very affordable Linksys WRT54G router triggered release of it’s proprietary sources for open re-engineering.

Each afternoon lightning talks and presentations were held in a space between the busy workgroups. We listened to memorable accounts from international groups and community actions, a film première of Sarantaporo documentary (Greece) and reviewed GNUnet and netJason projects two of many others listed in the packed event schedule. Our hosts even arranged us a cruise on the Douru River with spectacular views, bridges and fresh air!

Work progressed on setup of the Battlemesh ‘Wibed’ testbed, itself an ambitious and complex set of configurations, to allow for easy switching between competing firmware to enable monitoring of the 30 or so wireless routers now dotted about the university. Inevitable bugs obstructed completion but we start to see results at the eleventh hour, hoorah!

Key members of the OpenWRT developers group gathered to announce it’s community reboot as new project LEDE which resolves to shake off legacy constrictions in the operational structure of the old system. There was widespread delight mixed with a sense of some trepidation this news should schism the project. Overall it seems, this is an overdue shift toward a more flexible approach to future development of firmware for embedded devices, so good luck with that!

Overshadowing the event for all this year is the news that FCC have followed steps taken at EU to legislate a lockdown of firmware on equipment (RED) featuring 5ghz wireless devices, so that critical weather and aviation radar systems cannot be compromised by non standard radio uses. New hardware will not permit firmware modification and improvements by community in the future will no longer be possible! It’s hard to follow the exact conditions that have lead to this unfortunate situation, certainly manufactures have taken flight and entirely re factored their products to adhere to the rules as they understand them, in fear of heavy fines should they fail.

Suspicions were voiced, that telecom interests have influenced authorities to revise controls allowing them capture pubic access spectrum for more exclusive commercial uses. Here is the joint statement from the wireless network community, more needs to be done to highlight the situation.

Cyberparty: popular politics in digital times

In recent years – and in particular since the explosion of the financial crisis of 2008 – we have witnessed the rise of an array of new political parties – sometimes described as ‘digital parties’, ‘internet parties’ or ‘network parties’ – that attempt to utilise digital communication technologies as means to construct new forms of political participation and organisation against a background of widespread political disaffection with mainstream politics.

From the 5 Star Movement in Italy, to Podemos in Spain, and the Pirate Party in Iceland, Sweden and Germany, to the municipalist formations that recently won the mayoralties of Barcelona and Madrid, the signs of this surprising revival of the political party in digital times are growing. These new political organisations that are entering the political arena in a number of countries in Europe and beyond make use of the tools and practices that typify the present digital era, from Twitter channels and Facebook pages to Whatsapp groups and decision-making platforms. Furthermore, they embody the new demands that reflect the ways of life, fears and desires of an era of mass digital connectivity: demands for free information, privacy, connectivity and basic income.

What is the meaning and what the implications of these emerging digital parties? How do they reflect and respond to the current phase of economic and political crisis? What are the new issues and policies they bring to the fore? What are their forms of organisation, participation and leadership?

The Cyberparty conference hosted by the newly formed Centre for Digital Culture at King’s College London will explore these issues by bringing together experts and activists from the forefront of political innovation. It will ask what is specific to the emerging ‘digital party-form’ underpinning these formaions, how it compares with the mass parties of the industrial era and the electoral-professional parties of the neoliberal era and to what extent it can become a vehicle for social and political change. Furthermore, it will inquire in which ways more traditional political phenomena such as the Labour party under the leadership of Jeremy Corbyn and Bernie Sanders’ campaign in the US are trying to adopt some of the emerging organisational structures and practices coming from digital parties.

Different aspects of digital parties will be examined: their forms of communication and propaganda; their decision-making platforms; their policy platform and social base, with dedicated panels on these issues.

The conference will also host a special panel on digital activism in Eastern Europe.

Initiatives for open democracy and a decentralised internet

During the past two years, D-CENT (Decentralised Citizens ENgagement Technologies) has been working to transform democracy in a very concrete way: helping movements, cities, and political parties to build technologies, methods and tools that can make the democratic system more in-sync with collective aspirations of the 21st century.

To showcase and celebrate the results of the D-CENT project a week-long programme of activity is taking place from the 23-28 May in Madrid, Spain. Full details can be found at www.dcentproject.eu/dcentmadrid.

As part of the Democracy Lab we are holding an open call for groups and individuals to contribute to a two-day unconference Initiatives for open democracy and a decentralised Internet (25th and 26th May) looking at privacy-aware, open source democracy tools and citizen empowerment through bottom-up participation.

We’re inviting technologists, activists, journalists, policy-makers, civil servants, academics, lawyers, designers and startups to come together to showcase their work, demo products, debate and plan.

The two-day event will be run in an “unconference” format and will include lightning talks, hands on workshops and presentations selected and scheduled by attendees on the day.

Mudlarking On

Before heading off to this years Battlemesh in Porto, Portugal, YT got together with 20 Deptford locals, Inurian activists and Mazi partners for a low tide walk on Deptford Creek. Our guide for the walk was botanist Nick Bertrand of the Creekside Education Trust, leading river ecology and environmental experts.

We had a splendid experience of the creek and learned a lot about how our impact on the environment, even one already so compromised and contaminated by waste and decades of abuse can have unexpected outcomes on ecology of plants and animals. When 400 shopping trolleys were removed in 1990’s it caused a collapse of fish populations! So now things a mostly left as they are.

Hundreds of school and public groups a year visit the creek and gain a unique experience and insight into the workings of Thames tributaries and an understanding of this most urban of British coastline, it’s place in history and current state of play.

Fresh water from the River Ravensbourne washes into Deptford Creek having soaked up Spring Brook, Pool and Quaggy rivers on its wander from Bromley. Daily tides swell the Thames 7 or 8 meters, yet the creek remains mostly fresh water with very little saline effect to deter plant and animal propagation. The sea wall containment of all these rivers has restricted the opportunities for nature to gain a firm footing, yet many wild flowers and water creatures thrive in the stew of manufactured and organic rubbish the river drags along. We saw leaches, shrimp and crabs and should expect flounder and eels in abundance later in the season. Decaying timber ‘bumpers’ along the length of the creek serve alongside purpose built terraces as home to small fish and plant life, nurturing success of species variety.

Many human lives also rely on the ebb and flow of the river not least the boating community here, many of which we continue to talk to and engage with, as our MAZI pilot develops. Minesweeper Collective operate an art lab aboard the wooden triple hull 2nd world war minesweeper in the creek. A screen printing workshop and image creation lab occupy the below deck areas whilst on deck the space suits symposium and performance both of which are well used by local and visiting artists. The collective seeks energy autonomy and uses 12v throughout, currently relying on large batteries, charged by diesel generator but intent on harvesting solar and wind before long. Slow repairs to the boat following a fire in 2008 are in progress but a crowd funding campaign and or public funding is needed to complete the majors works still required.

Yesterday, Greenwich Maritime Museum hosted a public consultation for those interested in artist and community collaboration projects seeking funding. The presentations from GAVS, ACE and Royal Borough of Greenwich, each explained how funding and support was available to nurture project development of public arts. Greenwich operate a Community Arts Fund which would particularly suit existing minesweeper project work and may offer a pathway to greater development funding in the future. In particular with a view to participating at the tall ships event in 2017 where a season of community arts and creative interaction events a planned to celebrate the return of the Tall Ships regatta to Greenwich . The theme for this year’ is ‘Voyaging, Discovery and Adventure’ perfect.

Nervous Systems

!Mediengruppe Bitnik exhibits the Assange Room at HKW.

Can our inner thoughts be transmitted by our eye movements? Can our future actions be predicted by our current behavior? Julien Prévieux’s film Patterns of Life enacts more than a century of evolving technologies in tracking human behavior, from reorganizing the factory floor to today’s “activity-based intelligence” in the “war on terror.” This is but one example from over 30 works tracing the inversions that mark the relationship between man and machine. Co-curated by Stephanie Hankey and Marek Tuszynski from the Tactical Technology Collective and Anselm Franke the exhibition showcases a range of reflections on our quantified society and the processes of self-quantification. Historical artworks call for a reinterpretation of early conceptual art’s concern with quantification, its “aesthetics of bureaucracy,” and the deconstruction of the self in light of current data- collection. The exhibition includes contributions by media historians and writers, reconstructing the history and the present rise of data-technologies and portraying the world they bring about. A live installation—conceived by Tactical Tech—offers an active space in which visitors can explore their own digital traces. This White Room combines selected artworks, digital products, investigations, and activist projects with discussions, consultations, and demos exploring the devices we use every day, and how we can regain some control over our data.