Xarabank Malta TV

Times of Malta published a review of highlights of the 23 years long Xarabank TV show run: “The Friday after winning the 2008 general election, Lawrence Gonzi made a full appearance on Xarabank, analysing election results and surveys putting more of the PN’s electoral manifesto to the public.”

In the moments after being elected leader of the Labour Party, a Xarabank journalist asked Muscat whether he would be on Xarabank next Friday, to which he promptly replied, “yes, of course”.

Ahead of the 2013 general election, Muscat was also the subject of a popular day-in-the-life video which aired on Xarabank, introducing his wife Michelle and then infant twin daughters to the public at large.

Gonzi and Muscat frequently tousled on the program and in the run-up to the 2013 election, Xarabank dedicated a full episode to a leadership debate between the two.

On the former prime minister’s own suggestion, in 2002 the Xarabank team interviewed Dom Mintoff in an outside broadcast in his hometown of Cospicua.

The show also regularly tackled social issues, perhaps most prominently in the debate leading up to the referendum on divorce. The “yes or no” question was put to members of parliament, leading to loud and hot arguments between the camps.

Despite often facing criticism for its lack of nuance, Xarabank was also one of the first television programmes to feature the experiences of Maltese gay couples in 2008 and how some resorted to living overseas in order to get married.

Another highly viewed episode is Xarabank’s interview with Simon Bugeja, the only survivor of the Simshar shipwreck tragedy which claimed the lives of four people, including Bugeja’s father Karmenu and his 11-year-old son Theo. Bugeja captured the public’s sympathy on Xarabank as he tearfully recounted his son’s final moments reciting the rosary and the act of contrition as they became increasingly desperate and fearful that no rescue would come.

In 2012, one of Xarabank’s most highly viewed episodes was one dedicated to Carmen Camilleri, the sister of seven-year-old Valletta murder victim Twannie Camilleri. Twanny and Carmen’s parents, Ġiġa and Leli were convicted for the boy’s murder on the strength of then seven-year-old Carmen’s testimony.However, on her Xarabank appearance revisiting the scene of the crime, Carmen recanted her testimony and declared her parents innocent, a fact that served to incense the public as well as its insinuation that the killer was still at large.

Xarabank also famously entertained its own version of the satanic panic, dedicating a number of episodes to the discussion of satanism, giving airtime to exorcists and people who claimed to have had a close brush with the occult.

The programme also found ways to stroke controversy in unconventional ways, with its interviews on sex and relationships often going viral, such as the time a counsellor explained that research indicated Maltese people watched more pornography during general elections.

Xarabank was always in touch with its philanthropic side, helping bring to prominence the story of Bjorn Formosa, who spearheaded activism for sufferers of ALS in Malta and helped raise hundreds of thousands of euros for care homes dedicated to people suffering from ALS.

Xarabank Highlights written by Jessica Arena (Times of Malta)

Banksy funded migrant rescue boat launches in the Mediterranean

The Louise Michel is a former French Navy boat we’ve customised to perform search and rescue. She is as agile as she is pink. Measuring 30 meters in length and capable of over 28 knots, she was bought with proceeds from the sale of Banksy artwork – who then decorated her with a fire extinguisher. She is captained and crewed by a team of rescue professionals drawn from across Europe. She runs on a flat hierarchy and a vegan diet.

MV Louise Michel

LONDON — Street artist Banksy has released a video with a strong political message explaining why he became involved in a search-and-rescue ship helping migrants in the Mediterranean Sea.“Like most people who make it in the art world, I bought a yacht to cruise the Med,” the artist wrote in captions accompanying the video, which was posted to his Instagram account Saturday. “It’s a French Navy vessel we converted into a lifeboat.”“Because EU authorities deliberately ignore distress calls from ’non-Europeans’,” the subversive artist continued. “All Black Lives Matter.”The video featured footage of migrants at sea and clips of the vessel, called the MV Louise Michel, which is painted bright pink and features a mural depicting a young girl holding on to a heart-shaped safety float.The Louise Michel crew has said it is sponsored by Banksy, whose real name remains a mystery. Details of his financial involvement were not available.The crew has in recent days reported picking up several groups of migrants in the central Mediterranean in what appeared to be its maiden rescue voyage.
Associated PressHide CaptionBanksy spray-paints London train with COVID-19 messageBanksy’s back, this time with a message about COVID-19.Buzz60LONDON — Street artist Banksy has released a video with a strong political message explaining why he became involved in a search-and-rescue ship helping migrants in the Mediterranean Sea.“Like most people who make it in the art world, I bought a yacht to cruise the Med,” the artist wrote in captions accompanying the video, which was posted to his Instagram account Saturday. “It’s a French Navy vessel we converted into a lifeboat.”“Because EU authorities deliberately ignore distress calls from ’non-Europeans’,” the subversive artist continued. “All Black Lives Matter.”The video featured footage of migrants at sea and clips of the vessel, called the MV Louise Michel, which is painted bright pink and features a mural depicting a young girl holding on to a heart-shaped safety float.The Louise Michel crew has said it is sponsored by Banksy, whose real name remains a mystery. Details of his financial involvement were not available.The crew has in recent days reported picking up several groups of migrants in the central Mediterranean in what appeared to be its maiden rescue voyage.In a series of tweets over the past few days, the ship’s crew has strongly criticized the European Union over its migration policy. It said it contacted both Italian and Maltese coast guards seeking a port to disembark migrants, but received no response.The tone of the tweets has grown more urgent in the past 24 hours after the crew reported that the numbers of migrants on board were getting too high, that the ship was essentially stranded and that the crew was seeking a port to disembark the passengers. It reported women and children were among the dozens on board and in an adjacent dinghy, as well as the corpse of a migrant.“We need immediate assistance,” the crew tweeted via its @MVLouiseMichel handle on Saturday. “We are safeguarding 219 people with a crew of 10. Act #EU now!”In an email Saturday, the crew said the vessel was now heading to Sicily to seek shelter for the migrants.Another humanitarian aid group ship, the Mare Jonio, said Saturday it was leaving the Sicilian port of Augusta to come to the Louise Michel’s aid. The Mare Jonio, which has been active in the Mediterranean for years, said it was moving up its scheduled departure by 48 hours to help the Louise Michel out.

Global Village Day

Part 1
Part 2

A 12-hour McLuhanesque Online Marathon

Inspired by the innovative thinking of Marshall McLuhan, academics, artists, designers, raconteurs, innovators, and thinkers from around the globe explored the mosaic of the metaphoric Global Village in light of the current scenario. The collectivity of our global thought, actions and generational evolution are the defining principles of the global human condition which we explored.

digital Transborder Summer Camp

One year ago, we met at the ZAD near Nantes for the Transborder Summer Camp: more than 500 activists came together for amazing exchange and mutual inspiration. Now, we want to invite you for a digitalTSC from the 15-18.07.2020.

With the digitalTSC we want to provide a space to re-discuss strategies and challenges in (post) Corona times: we want to continue the discussions and networking debates that took place at the TSC, to understand where we are now 1 year later. And importantly, we want to propose a transnational decentralized mobilization for the beginning of September: on the 5th anniversary of the “March of Hope” – and the historic breakthrough against the border regime in 2015 during the long summer of migration along the Balkan route.

The digitalTSC will take place in different online meetings. Below you find a first program. Of course, everybody is welcomed to join as many sessions as they want, however, considering how exhausting online meetings are for many, we hope that people might join the two (bigger) plenary sessions and one or two (smaller) workshops. The digitalTSC will take place in English and French with translations.

odds without ends

A group show on eBay Kleinanzeigen

The students describe the show as follows: (EN) For many of us, the digital platforms became a life-line during the stay home order. With many using their time in lockdown to de-clutter their living spaces, the platform eBay Kleinanzeigen became a place to hang out and see what neighbors were getting rid of. The exhibition Odds Without Ends uses eBay Kleinanzeigen, the largest online platform for classified ads in Germany, as an exhibition space for site-specific works.

Using eBay Kleinanzeigen as an exhibition space brings art directly to bargain hunter’s homes, invading their screens and grabbing their attention. This series of works uses the ad-space as its medium and networked space as its show room. The works unfold over 60 days – the maximum runtime of an ad on eBay Kleinanzeigen – each with its specific mode of exchange and participation.

Odds Without Ends presents works produced specifically for eBay Kleinanzeigen by students of Klasse Brenner/Bitnik @ ABK Stuttgart. Organized by !Mediengruppe Bitnik.


A group show on
eBay Kleinanzeigen
17 July — 19 September 2020

Creative Practice and Climate Crisis

Creative Practice and Climate Crisis

One of our themes for the now-postponed i-Docs conference back in March this year was ‘climate and ecological emergency’, and we had a number of excellent presentations lined up on this topic. To offer an alternate outlet for some of these presentations, we first hosted two climate conversations on Immerse – the first between Lizzie Warren and Michaela French which you can read here, and the second (to be published soon) between Bronwin Patrickson and Tom White. Now, we have invited three more i-Docs speakers for this online panel discussion about i-docs practice and climate crisis, each with an immersive media project to share – Elizabeth Miller, Lena Dobrowolska and Mitch Turnbull.

Elizabeth Miller, Professor of Communication Studies at Concordia University, will present her project Swampscapes: a VR and multi-platform exploration of Florida’s most endangered ecosystem, the Everglades. It aims to reconnect viewers to the beauty of swamps and the vital role they play in filtering water, fostering life, and buffering storms. Through passionate local guides, immersive landscapes, and an interactive Swamp Symphony, the documentary project leads users into the depths of Florida’s swamps and to the people who care about them.

Still image from Imperfect Meshes: Stories from the Hurricane

Artist Lena Dobrowolska will share her project Imperfect Meshes: Stories from the Hurricane, in which she explores the aftermath of Hurricane Michael – a climate intensified category 5 hurricane that made landfall on the Florida panhandle in October 2018. Through a combination of photogrammetry models, field recordings, oral testimonies and a hurricane simulation placed within a VR environment, Imperfect Meshes narrates complex, invisible and long-lasting climate trauma of the hurricane.

EarthSongs

Documentary filmmaker Mitch Turnbull will present her mixed reality experience EarthSongs. Delivered via the Magic Leap One headset, EarthSongs presents an immersive exploration of natural, wild soundscapes utilising spatial computing technology, object based audio and abstract 3D interactive digital imagery. EarthSongs offers an alternative route to understand and connect with nature by deconstructing wild soundscapes and delivering a playful and artistic immersive experience. It utilises the affordances of interactive mixed reality technology to deliver a personal and intimate encounter that taps into an intuitive link with the natural world.

More on our speakers:

Professor Liz Miller

Elizabeth (Liz) Miller is a documentary maker and professor who uses collaboration and interactivity as a way to connect personal stories to larger social concerns. Her films and interactive multi-platform projects on timely issues such as water privatization, refugee rights, gender issues and environmental justice have won awards and influenced decision makers. Her work has been broadcast on international television, streamed on Netflix and featured in galleries, climate conferences and at festivals including Hot Docs and SXSX.edu. Liz is a Full Professor in Communications Studies at Concordia University in Montreal and her book “Going Public: The Art of Participatory Practice (2017) has been integrated into educational curricula. She has partnered with organizations including UNESCO, International Association with Women and Radio and Television, Witness and Wapikoni on human rights, new media and advocacy training.

Lena Dobrowolska

Lena Dobrowolska is an artist working with a combination of documentary photography, artist film, installation, room size virtual reality experiences and research. Since 2012, she has been working in collaboration with Teo Ormond-Skeaping on projects relating to climate change and the Anthropocene or what she prefers to call the Capitalocene. Her works document vulnerability to, and responsibility for climate change as well as the resilience and adaptation efforts of marginalised communities in an attempt to imagine and make possible a climate just future. Her recent research has investigated the link between climate change and displacement, non-economic Loss & Damage  and the moral and climate leadership of the Global South. Lena is the recipient of the 2019 Coalition for Art and Sustainable Development Prize (COAL) and the 2016 Culture and Climate Change: Future Scenarios Networked Residency prize. In 2019 she presented her work at UNFCCC COP25 in Madrid to climate negotiators and displacement experts.

Mitch TurnbullMitch Turnbull is a multi-nominated and award-winning natural history and conservation documentary filmmaker and XR creator with over twenty years experience in the UK & US. She has made films, live shows, media and XR content for a variety of broadcasters, studios and organisations including, BBC Studios, Oculus, Disneynature, Discovery, National Geographic, UN, RYOT and The Royal Foundation. Mitch has acted as a BAFTA VR Advisory Associate, contributed to UK Digital Catapult industry papers and is a South West Creative Technology Network Immersion Fellow with a research focus on how immersive technology can influence opinion and change behaviour.

Common Bond Society

Common Bond Society is a web-based digital artwork that takes the form of a series of Internet Relay Chat (IRC) rooms, built in response to the COVID-19 pandemic. The project explores the implications of our increased dependence on the Internet as public space and investigates the Internet’s potential to offer safe spaces to discuss, disseminate and carry out acts of mutual aid. It is brought to you by artist Larisa Blazic for UP Project’s digital commissioning strand, This is Public Space.

VIEW THE ARTWORK 

Common Bond Society takes as its starting point the context of the COVID-19 pandemic, the effects of which have been felt simultaneously on a global and intensely local scale. Almost overnight the pandemic resulted in a dramatic shift away from real world interactions to an increased reliance and dependence upon the digital realm as our predominant public space for dialogue and exchange. At the same time, a proliferation of mutual aid groups sprung up world-wide – set up to help those most vulnerable in this time of uncertainty. Chat groups and websites were created, phones were distributed, and posters emerged in the streets.

“The delayed beginning of the COVID-19 lockdown in the UK brought about an amazing wave of community organising, a sort of self-assembly for the protection of self and others, a beautiful act of solidarity where neighbours reached out to each other for help and support.” – Larisa Blazic

Through her artwork, Common Bond Society, artist Larisa Blazic reflects on the very origins of mutual aid as an act of solidarity not charity and suggests that understanding its political origins could lead us to rethink new ways of working post COVID-19. The work uses anarchist philosopher, Peter Kropotkin’s essay Mutual Aid: A Factor of Evolution (1902) as a starting point to spark debate about how acts of mutual aid carried out today could be harnessed to bring about longer-term changes in the way we as a society operate tomorrow and in the future both on and off line. Kropotkin suggests that charity “bears a character of inspiration from above, and, accordingly, implies a certain superiority of the giver upon the receiver.”

Common Bond Society is a virtual platform that questions how mutual aid groups can become sustainable in the long term. Are there ways of sustaining, supporting, encouraging or even rewarding acts of mutual aid? The platform invites audiences to engage in this conversation through three distinct chatrooms for exchange.

Common Bond Society is also inspired by the very foundations of the Internet as public space and its inventor, Tim Berners-Lee’s vision to create a place for the germination and proliferation of new ideas. Through the creation of “old school” IRC chat rooms, Blazic’s work reuses communication tools of the Internet before web 2.0 (see definition below) to provide safe and collaborative spaces for people to come together to formulate new ideas for how co-operative working can be harnessed and even institutionalised in order to ensure our “society’s safety, progress and existence” both in the real world and in the digital domain. Tim Berners-Lee once stated “Had the technology been proprietary, and in my total control, it would probably not have taken off. You can’t propose that something be a universal space and at the same time keep control of it.”

By using the IRC format Blazic invites us, the audience, to question the platforms we are currently using to carry out our interactions online and to think twice about our own safety and security when operating in the digital domain. Who owns the platforms we are using? What is happening to our data? And is anyone listening into the conversations we are having? Are we ever truly safe online?

We invite you to step inside the Common Bond Society IRC chat rooms to learn, reflect and discuss. Please read our code of conduct before entering.

Room 1: Mutual aid, it’s a political practice

Learn about the historical principles behind mutual aid by chatting with a Kropotkin-bot, where you can use key words associated with mutual aid to prompt relevant quotes from Mutual Aid: A Factor of Evolution.

Room 2: Solidarity not charity

Join us on 14 July at 18:30 BST for a curated IRC chat on mutual aid now and in the future, chaired by artist theorist and curator, Ruth Catlow. If you are unavailable to join the conversation we will present a live recording of the event in this chat room once it has happened. 

Room 3: In this place of safety

This chat room is a platform to facilitate conversations around notions of safety within the digital realm, uncertainty and public space. A curated conversation on these topics will be hosted by UP Projects on 18 August at 18:30 BST. Further details coming soon.

Room 4: All things brighter future

This room provides a space for further reading through access to mutual aid related resources.

ENTER THE CHAT ROOMS

Live Events

Event 1: Mutual Aid in an Age of Uncertainty

Date: 14 July 2020
Time: 18:30 – 20:00 BST

Join us for a curated conversation about the role mutual aid has played in these times of uncertainty and a discussion on how we can harness mutual aid practices as we move forward into tomorrow. The conversation will be chaired by artist theorist and curator, Ruth Catlow with participation from Larisa Blazic.

Agenda:

  1. An Introduction to Mutual Aid
  2. Now: mutual aid in an age of uncertainty 
  3. Next: mutual aid beyond moments of crisis 

Event 2: In this Place of Safety

Date: 18 August 2020
Time: 18:30 – 20:00 BST

Join us for a curated discussion that explores safety within the digital realm, uncertainty and public space. Hosted by UP Projects, further details coming soon.

Definitions

About IRC

Internet Relay Chat (IRC) is a network of Internet servers through which individuals can hold real time online conversations via electronic devices. Internet Relay Chat facilitates conversation in the form of an online written chats. IRC operates on a client/server model where individuals use a client programme to connect to an IRC server.

About Web 2.0

Web 2.0 also commonly referred to as Participative and Social Web refers to websites that contain user-generated content, ease of use and foster a participatory culture and interoperability. It is a term to describe today’s interactive Internet.

EMM artists @Malta International Arts Festival

#Dance – ROOF

Join dance artist Rochelle Gatt and musician Luc Houtkamp as they meet on a rooftop in Senglea in this challenge of artistic boundaries.

Credits:Video filmed and edited by Sam Chetcuti – Cyberspace AV
Dancer and choreographer – Rochelle Gatt
Live electronics, programming, composition – Luc Houtkamp
Edwin Balzan – sound engineer
Footage (Drone) – Ruben Zahra

Malta International Arts Festival 2020 – Online Edition
other highlight: Aquasonic
Aquasonic – an innovative and visually stunning underwater concert. Learn more about what inspired this spellbinding performance:Footage Credits: Roberto Sarcia

i-Docs Community Conversations: Co-creating in times of corona pandemic

Co-creating in times of corona pandemic

A conversation between Sandra Gaudenzi (i-Docs), Sandra Tabares Duque (audiovisual producer), Francesca Panetta (MIT Center for Advanced Virtuality) and Halsey Burgund (sound artist) about their collaborative projects Corona Haikus and Corona Diaries. Joining the discussion will also be two active participants of the Corona Haikus project: Edith Sierra Montaño (director and new media consultant) and Valentine Goddard (AI ethics expert).

Sandra Gaudenzi

During the time of COVID-19 lockdown we have seen an explosion of social media and collaborative projects, aimed at making social isolation more bearable. Some were a way to reach out and feel connected, others to document unprecedented times. The thin line between the subject and the observer has never been so blurred… who is co-creating with whom, and who is in control of what?

Sandra Tabares Duque

In this conversation, the authors of two collaborative corona projects will be joined by participants to question together: What makes a project that asks for very personal sharing, work? What makes us choose to participate in one project rather than another? What pushes us to come back?

And ultimately: how is the potential gap between the author’s initial proposition and what is really received by the participants being negotiated and steered?

Algorithms, Ethics & Justice @MAD conference

Algorithms, Ethics & Justice by Adnan Hadzi

Adnan presented Algorithms, Ethics & Justice at the MAD conference. In order to lay the foundations for a discussion around the argument that the adoption of artificial intelligence (AI) technologies benefits the powerful few, focussing on their own existential concerns, the paper will narrow down the analysis of the argument to social justice and jurisprudence (i.e. the philosophy of law), considering also the historical context. The paper explores the notion of humanised artificial intelligence in order to discuss potential challenges society might face in the future. The paper does not discuss current forms and applications of artificial intelligence, as, so far, there is no AI technology, which is self-conscious and self-aware, being able to deal with emotional and social intelligence. It is a discussion around AI as a speculative hypothetical entity. One could the ask, if such a speculative self-conscious hardware/software system were created at what point could one talk of personhood? And what criteria could there be in order to say an AI system was capable of committing AI crimes?The paper will discuss the construction of the legal system through the lens of political involvement of what one may want to consider to be powerful elites. Before discussing these aspects the paper will clarify the notion of “powerful elites”. In doing so the paper will be demonstrating that it is difficult to prove that the adoption of AI technologies is undertaken in a way which mainly serves a powerful class in society. Nevertheless, analysing the culture around AI technologies with regard to the nature of law with a philosophical and sociological focus enables one to demonstrate a utilitarian and authoritarian trend in the adoption of AI technologiesThe paper will then look, in a more detailed manner, into theories analysing the historical and social systematisation, or one may say disposition, of laws, and the impingement of neo-liberal tendencies upon the adoption of AI technologies. The regulatory, self-governing potential of AI algorithms and the justification by authority of the current adoption of AI technologies within civil society will be analysed next. The paper will propose an alternative, some might say practically unattainable, approach to the current legal system by looking into restorative justice for AI crimes, and how the ethics of care, through social contracts, could be applied to AI technologies. In conclusion the paper will discuss affect and humanised artificial intelligence with regards to the emotion of shame, when dealing with AI crimes.