{"id":571,"date":"2013-09-12T13:32:28","date_gmt":"2013-09-12T13:32:28","guid":{"rendered":"http:\/\/filmcode.org\/deckspacetv\/?p=26"},"modified":"2013-09-12T13:32:28","modified_gmt":"2013-09-12T13:32:28","slug":"research-questions","status":"publish","type":"post","link":"https:\/\/dorothea.tv\/?p=571","title":{"rendered":"Research Questions"},"content":{"rendered":"<ul>\n<li>How might radical social perspectives interpret these convolutions of thought and action which re conceive human and object relations?<\/li>\n<\/ul>\n<ul>\n<li>How do current models of politics contend with the question \u2018do artefacts have politics?<\/li>\n<\/ul>\n<ul>\n<li>\u2019 How do we relate digital aesthetics \u2013 in which abstract computational actors like algorithms give rise to new forms and morphologies \u2013 to the social and sensual conditions in which they arise and take effect?<\/li>\n<\/ul>\n<ul>\n<li>What happens to our understanding of politics and culture when the satisfaction of \u2018human needs\u2019, however problematic these are to define, ceases to be a key aim of knowledge systems?<\/li>\n<\/ul>\n<ul>\n<li>What, indeed, is \u2018thought\u2019 when the notion of the human, let alone the cogito, is recursively destabilised by the same man-made tools developed to defend our ontological centrality and certainty?<\/li>\n<\/ul>\n<ul>\n<li>What can we make of \u2018cognition in the wild\u2019, when \u2018the wild\u2019 is seen not as threatening or dystopian, but as a social utopia?<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>How might radical social perspectives interpret these convolutions of thought and action which re conceive human and object relations? How do current models of politics contend with the question \u2018do artefacts have politics? \u2019 How do we relate digital aesthetics \u2013 in which abstract computational actors like algorithms give rise to new forms and morphologies&hellip;<a href=\"https:\/\/dorothea.tv\/?p=571\">Read more <span class=\"screen-reader-text\">Research Questions<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-571","post","type-post","status-publish","format-standard","hentry","category-research"],"_links":{"self":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=571"}],"version-history":[{"count":0,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/571\/revisions"}],"wp:attachment":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}