{"id":3370,"date":"2023-10-06T13:56:31","date_gmt":"2023-10-06T13:56:31","guid":{"rendered":"https:\/\/deptford.tv\/?p=2828"},"modified":"2025-11-26T15:13:21","modified_gmt":"2025-11-26T15:13:21","slug":"random-chronicles","status":"publish","type":"post","link":"https:\/\/dorothea.tv\/?p=3370","title":{"rendered":"Random Chronicles"},"content":{"rendered":"\n

Random Chronicles<\/a> <\/em><\/strong>is an oxymoron. \u201aChronicle\u2018 derives from the Greek chr\u00f3nos, meaning time, and chronicles are usually historical records or accounts that follow chronological time. A randomisation of time is therefore a contradiction in terms, an upsetting of a particular sequence or order of things.
Raphael Vella and Bettina Hutschek, the two artists in this exhibition, present drawings and videos which gather their material from a variety of traditional chronicles \u2013 old films, books, online archives \u2013 and randomly mix them anew. The source materials permit \u201aold\u2018 information to acquire a new sense of relevance. Recent or unfolding events are re-interpreted through a layering of old and new lenses, combining historical or scientific fact with the fluidity of fiction and artificial intelligence.
Raphael Vella\u2019s collages and animated video borrow their imagery from sources as varied as medicine, anatomy, politics and parliamentary architecture. In his collages, simplified floor plans of parliament buildings are superimposed by anatomical, microscopic and other fragments lifted from medical textbooks. In the video Bitterbetter<\/em> (2023), the artist illustrates a strange exchange with the AI system ChatGPT, in which he asks whether politicians have used medical metaphors during public speeches. An initial reply by ChatGPT related to Angela Merkel and the \u201abitter\u2018 situation of migrants in Europe is soon followed by an apology: the information given previously is incorrect. What supposedly happened in historical time actually never happened, and the story of this weird exchange is told in a quick succession of stop motion drawings, medical imagery, texts\u2026and disappearing migrants.
Bettina Hutschek\u2018s video The case OGAMI<\/em> presents a fictitious UFO-logical case report about three so-called \u201eentities\u201c, who manifest on earth in the shape of human beings. After the discovery of TV-imagery, the new aliens get absorbed into the imaginary of sexual and violent symbolism and repeat it. A voice-over analyses movements and actions of the three humanoid being in pseudo-scientific language. The story is told with archive footage from the 50s, ranging from atomic bomb tests to educational films. The entities and their communicative development up to the \u201ehuman trap\u201c turn into an ironic metaphor for humankind.
Her series Typewritings<\/em> combines typings, drawings and collages. Not sure what they mean.<\/p>\n\n\n\n

Bettina Hutschek<\/strong> is a visual artist, filmmaker, and artist-curator who lives and works between Berlin and Malta. After studying art history and philosophy (BA) in Florence and Augsburg, she received her MA from Universit\u00e4t der K\u00fcnste (UdK), Berlin, and her MFA from HGB Leipzig. She worked in art mediation and spent a year as a visiting scholar at the Department of Performance Studies at NYU Tisch School of the Arts. She works as freelance conference interpreter and likes to explore the world.
In 2013, she founded FRAGMENTA Malta, a project space to organise exhibitions in the public space of the Maltese islands. In 2017, she co-curated together with Raphael Vella the Malta Pavilion at the Biennale di Venezia.
Bettinas work has been exhibited, screened and performed internationally, e.g. at NBK Berlin; Malta Contemporary; Art Cappadox Festival, Anatolia; FRAC Bretagne, Rennes; SSA Edinburgh; Foundation Cartier Paris; Blitz, Valletta; Mus\u00e9e Malraux, Le Havre; Museum der Bildenden K\u00fcnste Leipzig; uqbar, Berlin; NGBK Berlin; ICCA Bucarest; Palais du Tokyo.
Today, she uses fragments of different realities to examine the possibilities of knowledge transfer \u2013 that is: to tell stories.
www.bettina-hutschek.com<\/a><\/p>\n\n\n\n

Raphael Vella<\/strong> is an artist, educator and curator based in Malta. He has exhibited his works in international exhibitions and venues, including the Venice Biennale, Domaine Pommery (Reims, France) and Modern Art Oxford and has curated many group and solo exhibitions in Malta and internationally. He was art critic for the Malta Independent between 1992 and 2000 and won the Commonwealth Art and Craft award (London) in 1998. He was artist-in-residence at the School of Fine Arts at the University of Canterbury in Christchurch, New Zealand for a year in 2000 and was a founding member of the artists\u2019 group StART in the early 2000s.  He has published numerous articles and catalogue essays about contemporary art, culture and education and initiated many artistic projects, educational ventures and international exchanges that have helped to transform the cultural scene in Malta. In 2017, he was co-curator (with Bettina Hutschek) of the Malta Pavilion at La Biennale di Venezia. He is also a full professor at the University of Malta. His latest solo exhibition is That Other Place<\/em>, curated by Maren Richter at Valletta Contemporary, Valletta, Malta (September-October, 2023).<\/p>\n","protected":false},"excerpt":{"rendered":"

Random Chronicles is an oxymoron. \u201aChronicle\u2018 derives from the Greek chr\u00f3nos, meaning time, and chronicles are usually historical records or accounts that follow chronological time. A randomisation of time is therefore a contradiction in terms, an upsetting of a particular sequence or order of things.Raphael Vella and Bettina Hutschek, the two artists in this exhibition,…Read more Random Chronicles<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-3370","post","type-post","status-publish","format-standard","hentry","category-reports"],"_links":{"self":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3370"}],"version-history":[{"count":1,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3370\/revisions"}],"predecessor-version":[{"id":3800,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3370\/revisions\/3800"}],"wp:attachment":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}