{"id":3244,"date":"2019-09-26T16:47:18","date_gmt":"2019-09-26T16:47:18","guid":{"rendered":"https:\/\/deptford.tv\/?p=2250"},"modified":"2019-09-26T16:47:18","modified_gmt":"2019-09-26T16:47:18","slug":"video-vortex-12-2","status":"publish","type":"post","link":"https:\/\/dorothea.tv\/?p=3244","title":{"rendered":"Video Vortex #12"},"content":{"rendered":"<section>Adnan gave an <a href=\"https:\/\/www.facebook.com\/kulturanews\/videos\/2297692846994787\/\">Interview to Kultura.TV<\/a> on the Video Vortex XII conference.<\/section>\n<section><div style=\"width: 680px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-3244-1\" width=\"680\" height=\"383\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/dorothea.tv\/wp-content\/uploads\/2019\/09\/kultura_tv_adnan_hadzi_video_vortex.mp4?_=1\" \/><a href=\"https:\/\/dorothea.tv\/wp-content\/uploads\/2019\/09\/kultura_tv_adnan_hadzi_video_vortex.mp4\">https:\/\/dorothea.tv\/wp-content\/uploads\/2019\/09\/kultura_tv_adnan_hadzi_video_vortex.mp4<\/a><\/video><\/div><\/p>\n<\/section>\n<section><\/section>\n<section><\/section>\n<section class=\"entry-content clearfix\"><a href=\"https:\/\/networkcultures.org\/videovortex\/video-vortex-12\/\">VideoVortex<\/a>, an artistic network concerned with the aesthetics and politics of online video, will gather again in Malta for a conference in late September 2019. In this edition we are in particularly focussed on bringing new research, theory and critiques of online video \u2013 in addition to questions around its integration with social media \u2013 to Malta. If you are a graduate student or researcher\/critic that is engaged with the theoretical challenges of contemporary (moving) image cultures, please join us for the conference.Given its ease of access and use, video has historically been aligned with media activism and collaborative work. Now, however, with video\u2019s prevalence across social media and the web, its dominance of the internet of things, the role of the camera in both the maintenance and breaking down of networks, in addition to the increasing capacity of digital video to simulate that which has not occurred \u2013 we require novel theories and research. That is to say that rapidly changing technological formats underscore the urgent need to engage with practices of archiving and curation, modes of collaboration and political mobilisation, as well as fresh comprehensions of the subject-spectator, actors and networks constituted by contemporary video and digital cultures.<\/section>\n<section class=\"entry-content clearfix\"><strong>Conference and screenings<\/strong>: September 26-29, 2019.<br \/>\n<strong>Exhibition:<\/strong>\u00a0 September 13 until October 27, 2019 (in Spazju Kreattiv)<\/p>\n<h2><a href=\"https:\/\/networkcultures.org\/videovortex\/wp-content\/uploads\/sites\/8\/2019\/09\/Final-Video-Vortex-Program.pdf\">Download the full program here.<\/a><\/h2>\n<p><span style=\"color: #333333;\">All events are held at <a href=\"https:\/\/goo.gl\/maps\/BrKMzNnr68Cf6tyu6\">Spazju Kreattiv<\/a>, except for \u201cSession 2:<br \/>\nActivism\u201d, on Day 2, which will be held at <a href=\"https:\/\/goo.gl\/maps\/tXKbmYFcQKgqAPQH7\">Aula Prima<\/a>,\u00a0University of<br \/>\nMalta Valletta Campus . Please refer to details below and in the program.<\/span><\/p>\n<p><strong>VV XII conference registration:<\/strong><br \/>\n<a style=\"color: #333333;\" href=\"https:\/\/www.eventbrite.com\/e\/video-vortex-xii-conference-tickets-63022752750\">https:\/\/www.eventbrite.com\/e\/video-vortex-xii-conference-tickets-63022752750<\/a><\/p>\n<p><strong>VV XII screening registration:<\/strong><br \/>\n<a style=\"color: #333333;\" href=\"https:\/\/www.eventbrite.com\/e\/video-vortex-xii-screenings-tickets-63025027554\">https:\/\/www.eventbrite.com\/e\/video-vortex-xii-screenings-tickets-63025027554<\/a><\/p>\n<p><strong>Special: ASMR workshop<\/strong><br \/>\n<a style=\"color: #333333;\" href=\"https:\/\/www.eventbrite.com\/e\/video-vortex-xii-special-asmr-workshop-tickets-63027029542\">https:\/\/www.eventbrite.com\/e\/video-vortex-xii-special-asmr-workshop-tickets-63027029542<\/a><\/p>\n<h1>Schedule of Video Vortex #12 Conference:<\/h1>\n<h2>Day 1: Thursday \u2013 September 26, 2019<\/h2>\n<p><strong>15:00:<\/strong> Video Vortex Pre-Screening: Dance: Please refer to the screening pages for the detailed <a href=\"https:\/\/networkcultures.org\/videovortex\/video-vortex-12\/#screening\">screening schedule<\/a>.<\/p>\n<p><strong>17:00:<\/strong> Opening of Video Vortex Conference<\/p>\n<p>\u2022 Geert Lovink (Institute of Network Cultures, Amsterdam)<\/p>\n<p>\u2022\u00a0 Wilfried Agricola de Cologne: Curated screening \u2013 The W:OW<\/p>\n<p><strong>18:30: <\/strong>Opening Lecture &amp; Performance<\/p>\n<p>\u2022 @lbert figurt: Lecture: Desktop Horror<\/p>\n<p>\u2022 Annie Abrahams, Lisa Parra and Daniel Pinheiro: Performance: DISTANT FEELINGS #6<\/p>\n<p><strong>20:00: <\/strong>Meet the Video Vortex Artists<\/p>\n<p>\u2022 Vince Briffa and Michael Alcorn: OUTLAND<\/p>\n<p>\u2022 Ryan Woodring: The oldest new structure<\/p>\n<p>\u2022 <span style=\"color: #333333;\">Q&amp;A with video vortex artists: Werther Germondari, Letta Shtohryn, Pablo N\u00fa\u00f1ez Palma, Bram Loogman, Tivon Rice &amp; Hang Li (together with Caroline Rosello)<\/span><\/p>\n<h2>Day 2: Friday \u2013 September 27, 2019<\/h2>\n<p><strong>09:00:<\/strong> Welcome, Registration &amp; Coffee<\/p>\n<p><strong>10:00:<\/strong> Session 1: Online Video Theory I<\/p>\n<p>\u2022 Andrew Clay: The Extraordinary Adventures of Mr. Oakley in the Land of the Video Bloggers<\/p>\n<p>\u2022 Karla Brunet: Online Video Cartography<\/p>\n<p>\u2022 Ana Peraica: Disinterested and Dead: Spinning Visual Media Reporting Events<\/p>\n<p><span style=\"color: #333333;\">\u2022\u00a0Kathy Rae Huffman: ON\/IN Time \u2013 video art from outsider to insider<\/span><\/p>\n<p><strong>12:00:<\/strong> Break<\/p>\n<p><strong>13:00:<\/strong> Session 2: Activism<\/p>\n<p><em><span style=\"color: #333333;\">NOTE: this session is at a different Venue: <a href=\"https:\/\/goo.gl\/maps\/tXKbmYFcQKgqAPQH7\">Aula Prima<\/a>,\u00a0University of Malta Valletta<br \/>\nCampus<\/span><\/em><\/p>\n<p>\u2022 Donatella della Ratta: The vanished image: who owns the archives of the Arab uprisings?<\/p>\n<p>\u2022 Aishwarya Viswanathan: Staged Fear: Real and Imagined Audiences of Mob Lynching Videos in India.<\/p>\n<p>\u2022 Confusion of Tongues: Moving Membranes<\/p>\n<p><span style=\"color: #333333;\">\u2022 Miguel Oliveros Mediavilla: Dictature 4.0: \u2018La prison \u00e0 plein air\u2019<\/span><\/p>\n<p><strong>15:00:<\/strong> Break<\/p>\n<p><strong>16:00:<\/strong> Session 3: Streaming &amp; Platforms<\/p>\n<p>\u2022 Dino Ge Zhang: A Theory of Livestreaming Video<\/p>\n<p>\u2022 Andreas Treske and Aras Ozgun: Narrative Platforms: Towards a Morphology of New Audience Activities and Narrative Forms<\/p>\n<p>\u2022 Tomasz Hollanek: The Netflix Clinic: (experi)Mental Entertainment in the Age of Psychometrics<\/p>\n<p>\u2022 Antonia Hernandez: There\u2019s something compelling about real life: early webcam tropes on current sexcam platforms<\/p>\n<p><strong>Special:<\/strong> <a href=\"https:\/\/www.arte.tv\/de\/videos\/085990-002-A\/asmr-sinnesmassage-live-tracks\/\">ASMR<\/a> <a href=\"https:\/\/youtu.be\/V39iXBG3yyI\">workshop<\/a> (parallel session on invitation only)<br \/>\nLucille Calmel &amp; Damien Petitot: Soft Screens Soft Skins Soft: an <a href=\"https:\/\/www.arte.tv\/fr\/videos\/075828-010-A\/bits-asmr\/\">ASMR<\/a> <a href=\"https:\/\/youtu.be\/z9KrJoemj6I\">workshop<\/a><\/p>\n<p><strong>18:00:<\/strong> Break<\/p>\n<p><strong>20:00:<\/strong> Video Vortex evening screening<br \/>\nPlease refer to the screening pages for the detailed <a href=\"https:\/\/networkcultures.org\/videovortex\/video-vortex-12\/#screening\">screening schedule<\/a>.<\/p>\n<h2>Day 3: Saturday \u2013 September 28, 2019<\/h2>\n<p><strong>09:00:<\/strong> Welcome, Registration &amp; Coffee<\/p>\n<p><strong>09:30:<\/strong> Special: Breakfast Screening<\/p>\n<p>\u2022 Colette Tron: Screening: Digital images and films, what\u2019s the matter?<\/p>\n<p><strong>10:00:<\/strong> Session 4: Online Video Theory II<\/p>\n<p>\u2022 Colette Tron: Digital images and films, what\u2019s the matter?<\/p>\n<p>\u2022 Mitra Azar: From Selfie to Algorithmic Facial Image<\/p>\n<p>\u2022 Jack Wilson: PLAYING FROM ANOTHER ROOM<\/p>\n<p>\u2022 Chris Meigh-Andrews: EDAU Artists\u2019 Film and Video Study Collection<\/p>\n<p><strong>12:00:<\/strong> Break<\/p>\n<p><strong>13:00:<\/strong> Session 5: Experiments in Aesthetics<\/p>\n<p>\u2022 Dan Oki: The Absence of Telepresence<\/p>\n<p>\u2022 Hiroko Kimura-Myokam: Video hosting service as a presenting space and a repository<\/p>\n<p>\u2022 Patrick Lichty: Not Really Like Being There<\/p>\n<p>\u2022 Richard Misek: A Machine for Viewing: a virtual reality video essay<\/p>\n<p><strong>15:00:<\/strong> Break<\/p>\n<p><strong>16:00:<\/strong> Session 6: Workshops\/lecture on tech issues<\/p>\n<p>\u2022 Pablo N\u00fa\u00f1ez Palma and Bram Loogman: Jan Bot<\/p>\n<p>\u2022 Heiko Recktenwald: Montage der Sensationen<\/p>\n<p>\u2022 Adnan Hadzi, <span style=\"color: #333333;\">Simon Worthington<\/span> and Oliver Lerone Schultz: VV12 after.video book<\/p>\n<p><strong>Special:<\/strong> ASMR workshop (parallel session on invitation only)<br \/>\nLucille Calmel &amp; Damien Petitot: Soft Screens Soft Skins Soft: an ASMR\u00a0workshop<\/p>\n<p><strong>18:00:<\/strong> Closing Ceremony<\/p>\n<p>\u2022 <span style=\"color: #333333;\">Andrew Alamango and Andrew Pace: Magna \u017bmien (Time Machine)<\/span><\/p>\n<p>\u2022 Judit Kis: Practices Beyond the SELF<\/p>\n<h2>Day 4: Sunday \u2013 September 29, 2019<\/h2>\n<p><strong>14:00:<\/strong> Replay Day<br \/>\nPlease refer to the screening pages for the detailed <a href=\"https:\/\/networkcultures.org\/videovortex\/video-vortex-12\/#screening\">screening schedule<\/a>.<\/p>\n<h1 id=\"screening\">Schedule of Video Vortex #12 Screenings:<\/h1>\n<h2>Day 1: Thursday \u2013 September 26, 2019<\/h2>\n<p><strong>15:00:<\/strong> Pre-VV12 Screening: Dance<\/p>\n<p>\u2022 Rita <span style=\"color: #333333;\">Al Cunha<\/span>: Error 500, 1:44<\/p>\n<p>\u2022 Daniela Lucato: When I dance, 67 min.<\/p>\n<p>\u2022 Vito Alfarano: I have a dream, 11:00<\/p>\n<p><span style=\"color: #333333;\"><strong>17:00:<\/strong> Curated screening \u2013 The W:OW<br \/>\n<\/span><\/p>\n<p><span style=\"color: #333333;\">Wilfried Agricola de Cologne, 61 min<\/span><\/p>\n<h2>Day 2: Friday \u2013 September 27, 2019<\/h2>\n<p><strong>20:00:<\/strong> Screening I: Structures<\/p>\n<p>\u2022 Adam Fish: Points of Presence, 18:46<\/p>\n<p>\u2022 Albert Merino: Bestiary, 5:10<\/p>\n<p>\u2022 Lotte Louise de Jong: BRB, 5:25<\/p>\n<p>\u2022 Esther Polak and Ivar van Bekkum: Go Move Be, 9:50<\/p>\n<p>\u2022 Samantha Harvey: Auto tune me, 4:31<\/p>\n<p><strong>21:00:<\/strong> Screening II: Internet, Sadness, Love<\/p>\n<p>\u2022 Andres Azzolina: Puntomov, 15:15<\/p>\n<p>\u2022 Glasz DeCuir: Yes I saw an angel, 2:37<\/p>\n<p>\u2022 Mar\u00eda Jos\u00e9 Ribas: Torremolinos Match, 8:51<\/p>\n<p>\u2022 Pedro Gomes: Mutilated Dreams, 10:22<\/p>\n<p>\u2022 Salvador Miranda: Aim Down Sights, 7:30<\/p>\n<p><strong>22:00:<\/strong> Screening III: Myself Any Other Night<\/p>\n<p>\u2022 Sofia Braga: I stalk myself, 13:26<\/p>\n<p>\u2022 Mar\u00eda Jos\u00e9 Ribas: Seismographical, 2:03<\/p>\n<p>\u2022 Zimu Zhang &amp; Zheng Lu Xinyuan: Just like any other night, 29:33<\/p>\n<h2>Day 4: Sunday \u2013 September 29, 2019<\/h2>\n<p><strong>14:00:<\/strong> Screening I: Structures<\/p>\n<p>\u2022 Adam Fish: Points of Presence, 18:46<\/p>\n<p>\u2022 Albert Merino: Bestiary, 5:10<\/p>\n<p>\u2022 Lotte Louise de Jong: BRB, 5:25<\/p>\n<p>\u2022 Esther Polak and Ivar van Bekkum: Go Move Be, 9:50<\/p>\n<p>\u2022 Samantha Harvey: Auto tune me, 4:31<\/p>\n<p><strong>15:00:<\/strong> Screening II: Internet, Sadness, Love<\/p>\n<p>\u2022 Andres Azzolina: Puntomov, 15:15<\/p>\n<p>\u2022 Glasz DeCuir: Yes I saw an angel, 2:37<\/p>\n<p>\u2022 Mar\u00eda Jos\u00e9 Ribas: Torremolinos Match, 8:51<\/p>\n<p>\u2022 Pedro Gomes: Mutilated Dreams, 10:22<\/p>\n<p>\u2022 Salvador Miranda: Aim Down Sights, 7:30<\/p>\n<p><strong>16:00:<\/strong> Screening III: Myself Any Other Night<\/p>\n<p>\u2022 Sofia Braga: I stalk myself, 13:26<\/p>\n<p>\u2022 Mar\u00eda Jos\u00e9 Ribas: Seismographical, 2:03<\/p>\n<p>\u2022 Zimu Zhang &amp; Zheng Lu Xinyuan: Just like any other night, 29:33<\/p>\n<p><strong>17:00:<\/strong> Screening IV: The W:OW<\/p>\n<p>\u2022 Wilfried Agricola de Cologne: Curated screening \u2013 The W:OW (ca 60 min.)<\/p>\n<p><span style=\"color: #333333;\"><strong>18:00:<\/strong> Screening V: Crash Theory<br \/>\n\u2022\u00a0 Adam Fish: Crash Theory, 45:00<\/span><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Adnan gave an Interview to Kultura.TV on the Video Vortex XII conference. VideoVortex, an artistic network concerned with the aesthetics and politics of online video, will gather again in Malta for a conference in late September 2019. In this edition we are in particularly focussed on bringing new research, theory and critiques of online video&hellip;<a href=\"https:\/\/dorothea.tv\/?p=3244\">Read more <span class=\"screen-reader-text\">Video Vortex #12<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,15,22],"tags":[],"class_list":["post-3244","post","type-post","status-publish","format-standard","hentry","category-events","category-projects","category-research"],"_links":{"self":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3244"}],"version-history":[{"count":0,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3244\/revisions"}],"wp:attachment":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}