{"id":3205,"date":"2018-05-16T15:35:51","date_gmt":"2018-05-16T15:35:51","guid":{"rendered":"https:\/\/deptford.tv\/?p=2198"},"modified":"2018-05-16T15:35:51","modified_gmt":"2018-05-16T15:35:51","slug":"art-meets-radical-openness-amro18","status":"publish","type":"post","link":"https:\/\/dorothea.tv\/?p=3205","title":{"rendered":"Art Meets Radical Openness (#AMRO18)"},"content":{"rendered":"<p>The current issue \u201c<a href=\"https:\/\/www.radical-openness.org\/en\/node\/2768\">Unmapping Infrastructures<\/a>\u201d deals with the idea of \u201cmapping\u201d as a process of becoming aware and then acquiring a critical position about the current landscape of technological infrastructures.<\/p>\n<p>This conglomerate of machines, human and non-human actors, nation-states and borderless companies is increasingly complex to observe and describe. Nevertheless, we believe that there is more to be seen than a hyper-commercialized structure of interlaced technological layers. Cartographic mapping consists of a series of practices of observing, analyzing and representing a territory to be able to move through it. How can art and activism appropriate the methods of cartographic mapping to produce new, critical and alternative views of the current landscape shaped by different players?<\/p>\n<p>The festival aims at deepening the thematic areas of digital geopolitics, alternative design methods, activist practices and autonomous infrastructures, themes that offer directions for localizing areas of intervention. Throughout the festival, these topics will be further explored through discussion panels, workshops, and performances.<\/p>\n<p>Contributors:<br \/>\n<em>Abelardo Gil-Fournier, Adnan Hadzi, Alina Krobok \/ Sea-Watch e.V. \u2013 Zivile Seenotrettung von Fl\u00fcchtenden, Alison Killing, Antti Pussinen, beepblip, BridA\/Tom Ker\u0161evan, Sendi Mango, Jurij Pavlica, C\u00e9sar Escudero Andaluz, Christina Gruber, Christo Petkov, Cristina Cochior, Davide Bevilacqua, Emily Buzzo, Felipe Castelblanco, Fieke Jansen, Florian Voggeneder, Franc Gonz\u00e1lez, Franz Xaver, Giulia de Giovanelli, Hansi Raber, IOhannes m zm\u00f6lnig, Jakub Pi\u0161ek, Jens Vetter, Joana Chicau, Joana Moll, Julia del R\u00edo, Julia N\u00fc\u00dflein, Katalin Hausel, Marloes de Valk, Mart\u00edn Nadal, Martina Sch\u00f6nbauer, Martina_K, Martino Morandi, Nicolas Maigret \/ DISNOVATION.ORG, Nicolas Zemke \/ Sea-Watch e.V. \u2013 Zivile Seenotrettung von Fl\u00fcchtenden, Pablo DeSoto, Patrice Riemens, Roelof Roscam Abbing, Sabina Hyoju Ahn, Sam Bunn, States of Clay, Stefan Tiefengraber, Taro Knopp, The AMROgraphers \/ Art Education Department &#8211; University of Art and Design, Linz, TinTin Patrone, Us(c)hi Reiter, Varvara &amp; Mar, Vuk \u0106osi\u0107, Waiwai (Hiuwai Chan), Wolfgang Spahn, Yoshinari Nishiki.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The current issue \u201cUnmapping Infrastructures\u201d deals with the idea of \u201cmapping\u201d as a process of becoming aware and then acquiring a critical position about the current landscape of technological infrastructures. This conglomerate of machines, human and non-human actors, nation-states and borderless companies is increasingly complex to observe and describe. Nevertheless, we believe that there is&hellip;<a href=\"https:\/\/dorothea.tv\/?p=3205\">Read more <span class=\"screen-reader-text\">Art Meets Radical Openness (#AMRO18)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-3205","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3205"}],"version-history":[{"count":0,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/3205\/revisions"}],"wp:attachment":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}