{"id":1558,"date":"2016-09-25T15:57:41","date_gmt":"2016-09-25T15:57:41","guid":{"rendered":"http:\/\/deptford.tv\/blog\/?p=1558"},"modified":"2016-09-25T15:57:41","modified_gmt":"2016-09-25T15:57:41","slug":"after-video-at-the-indefinite-vision-symposium-whitechappel-art-gallery","status":"publish","type":"post","link":"https:\/\/dorothea.tv\/?p=1558","title":{"rendered":"after.video at the indefinite vision symposium @ whitechappel art gallery"},"content":{"rendered":"

\"\"<\/a><\/p>\n

after.video will be presented during the indefinite vision<\/a>
\nsymposium @ whitechappel art gallery, see:
\nhttp:\/\/www.whitechapelgallery.org\/events\/indefinite-visions\/ (before the
\nsymposium during a workshop on methodologies – see schedule below ->
\nafter.video is in the 4-5.30pm slot)<\/p>\n

WORKSHOP: THE AUDIOVISUAL ESSAY WHITECHAPEL GALLERY, LONDON<\/p>\n

WEDNESDAY 22nd JUNE<\/p>\n

11.30am-1pm. Forms
\nThemes:
\nAudiovisual essay forms (close analysis, artistic\/poetic montage,
\nsupercut\/thematic montage, \u2018interstitial\u2019).
\nTechniques: temporal manipulation, overlays, split-screen, voice-over
\nAudiovisual essays as supplements to written scholarship and as core
\nmethodology.
\nQuestions:
\nWhat types of scholarship are audiovisual essays suited (and not suited) to?
\nWhat more could audiovisual essay achieve critically and aesthetically?
\n11.30-11.45. Presentation: Kevin B. Lee on the current state of the art
\n11.45-12. Presentation: TBC
\n12-12.30. Break-out discussions
\n12.30-1. Group discussion<\/p>\n

1pm-2pm. Lunch<\/p>\n

2pm-3.30pm. Contexts
\nThemes:
\nRole within film journalism, as a critical tool
\nRole within teaching, as a heuristic tool
\nRelationship with film-making (\u2018theory\u2019 vs \u2018practice\u2019)
\nRelationship with artists\u2019 film and video
\nQuestions
\nHow to further incorporate audiovisual essays into mainstream scholarship
\nvia academic legitimation (e.g. increasing publishing opportunities)?
\nvia refinement of the form and its methodologies?
\nvia databasing?
\nHow does the audiovisual essay fit within current copyright law in the
\nUK and beyond?
\nDo different distribution models (e.g. peer-reviewed, \u2018self-published\u2019,
\nprogrammed by cultural gatekeepers) suit different kinds of audiovisual
\nwork?
\n2.30-2.45. Presentation: Catherine Grant on videographic film studies
\nand academic publishing
\n2.45-3. Presentation: David Rodowick on negotiating film theory and film
\npractice
\n3-3.30. Break-out discussions
\n3.30-4. Group discussion<\/p>\n

3.30pm-4.00pm. Break<\/p>\n

4.00pm-5.30pm. Methodologies
\nThemes
\nTerminology (video essay, audiovisual essay, videographic film studies,
\ndigital film studies)
\nAlternative technologies and methodologies:
\nQuantitative:
\ndata analysis (e.g. cinemetrics, ECGs and eye tracking)
\nvisualisation \u2013 e.g. Volumetric Cinema, Software Studies Initiative
\nQualitative:
\nAnnotation (e.g. Popcorn.js, ANVIL, Lignes de Temps)
\nCreative:
\nCritical media art (e.g. after.video)
\nInteractive documentary
\nQuestions
\nHow can audiovisual essay production be connected to adjacent, less
\nprevalent, digital humanities activities?
\nWhat can be learnt from the use of digital technologies in other
\nhumanities disciplines?
\nWhat models of collaboration could help audiovisual film scholarship
\ndevelop in scope, complexity, and impact?
\n4.30-4.45. Presentation: David Verdeure on adjacent methodologies
\n4.45-5. Presentation: Richard Misek on adjacent technologies
\n5-5.30. Break-out discussions (open)
\n5.30-6. Group discussion<\/p>\n

Viewable during breaks:
\nDon\u2019t Look Now: paradoxes of suture (interactive video on Mac laptop)
\nAfter.Video Assemblages (videos on Raspberry Pi)
\nNotes on Blindness: Into Darkness (VR experience, at Close Up Film Centre)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

after.video will be presented during the indefinite vision symposium @ whitechappel art gallery, see: http:\/\/www.whitechapelgallery.org\/events\/indefinite-visions\/ (before the symposium during a workshop on methodologies – see schedule below -> after.video is in the 4-5.30pm slot) WORKSHOP: THE AUDIOVISUAL ESSAY WHITECHAPEL GALLERY, LONDON WEDNESDAY 22nd JUNE 11.30am-1pm. Forms Themes: Audiovisual essay forms (close analysis, artistic\/poetic montage, supercut\/thematic…Read more after.video at the indefinite vision symposium @ whitechappel art gallery<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,12,14,16,20,21,22],"tags":[],"class_list":["post-1558","post","type-post","status-publish","format-standard","hentry","category-announcement","category-news","category-presentations","category-publications","category-report","category-reports","category-research"],"_links":{"self":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/1558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1558"}],"version-history":[{"count":0,"href":"https:\/\/dorothea.tv\/index.php?rest_route=\/wp\/v2\/posts\/1558\/revisions"}],"wp:attachment":[{"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dorothea.tv\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}